Belfast-based – Choice Awards nominated – four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released on 18th February 2014, their second album The New Life is the sound of a band on the fringes striving to forge their own path, purposefully out of step – and time – with their surroundings. Weighed heavy with the grey landscapes of their hometown, The New Life is isolation laid bare, shot...
Belfast-based – Choice Awards nominated – four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released on 18th February 2014, their second album The New Life is the sound of a band on the fringes striving to forge their own path, purposefully out of step – and time – with their surroundings. Weighed heavy with the grey landscapes of their hometown, The New Life is isolation laid bare, shot through with an undeterred sense of purpose and individuality. The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cathal Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. The single ‘Hypnotic Regression’ reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, The New Life, stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.