Shrigley finds humour in flat depictions of the inconsequential, the unavailing and the bizarre – although he is far fonder of violent or otherwise disquieting subject matter. Shrigley’s work has two of the characteristics often encountered in outside art – an odd viewpoint, and (in some of his work) a deliberately limited technique.

 

His freehand line is often weak, which jars with his frequent use of a ruler; his forms are often very crude; and annotations in his drawings are poor...

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