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    Al Doyle

    Posted on 20 May 2020

    Al Doyle is a British musician and songwriter. He is best known as the guitarist and synthesiser player for British indie electronic band Hot Chip and American rock band LCD Soundsystem. He is also a founding member of British electronic band New Build.

    Alan Braxe

    Posted on 01 November 2023

    Alan Braxe is a singular musician with a rare and restless spirit. His penchant for composition and melody commenced at an early age, with classical training in clarinet and cello. Braxe developed an omnivorous appetite for music in his adolescence, devouring everything from Alexander O’Neal to Heaven 17 and Public Enemy.

    Before long, Braxe was producing his own viral strain of dance music using only a mixer, a compressor, and an Emu SP1200.

    Within a year, a handful of Braxe’s early demos...

    Alan Braxe is a singular musician with a rare and restless spirit. His penchant for composition and melody commenced at an early age, with classical training in clarinet and cello. Braxe developed an omnivorous appetite for music in his adolescence, devouring everything from Alexander O’Neal to Heaven 17 and Public Enemy.

    Before long, Braxe was producing his own viral strain of dance music using only a mixer, a compressor, and an Emu SP1200.

    Within a year, a handful of Braxe’s early demos attracted Thomas Bangalter’s attention, and Braxe’s debut single, “Vertigo”, was released in 1997 via Bangalter’s influential Roulé label. “Vertigo” was a hallmark of the emerging French Touch sound, and Braxe, Bangalter, and childhood friend Benjamin Diamond decided to join forces for a collaborative project. That project would be called Stardust, and their 1998 single “Music Sounds Better With You” — which they wrote and recorded in one week — arrived as an instant dance music classic, selling over 3 million copies, and earning the trio a canonical spot in the electronic music constellation.

    Approaching the 20th anniversary of Stardust’s smash success and the Vulture label’s launch, Braxe again takes a radical turn in method. He strips his studio of all things digital and starts to experiment with a Buchla modular synthesizer, echoing his first setup’s minimalism.

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    Alex Burey

    Posted on 20 May 2020

    Alex Burey is a producer, songwriter, mixer & multi-instrumentalist from the outskirts of London. His interest in music began at the age of 7 when Alex found classical piano. Once at school he began producing hip-hop & grime music for local artists. Since then he’s worked from his home studio on all styles of music; hip-hop to folk, classical to dance. Authenticity is a central quality to all the music he produces.

    Alex’s approach to production is collaborative, working with t...

    Alex Burey is a producer, songwriter, mixer & multi-instrumentalist from the outskirts of London. His interest in music began at the age of 7 when Alex found classical piano. Once at school he began producing hip-hop & grime music for local artists. Since then he’s worked from his home studio on all styles of music; hip-hop to folk, classical to dance. Authenticity is a central quality to all the music he produces.

    Alex’s approach to production is collaborative, working with the artist to find the emotional essence of a song and then allowing that to speak out first. He takes inspiration from an older time yet couples this with a modernism that feels fresh and original. Warmth, contrasts in dark & light tones and imperfections are layered throughout his production work.

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    Andy Barlow

    Posted on 20 May 2020

    Andy is best known as one half of the electronic duo LAMB and his solo material released under the LOWB moniker.
    Aside from his own projects, Andy Barlow has also produced and mixed brilliant albums for an array of talented artists, including the acclaimed Distance And Time for FINK and, in more recent years, DAVID GRAY’s latest album Mutineers and the brilliant debut album from THE RAMONA FLOWERS Dismantle and Rebuild.
    His compositions have been used in adverts for both Guinness and the To...

    Andy is best known as one half of the electronic duo LAMB and his solo material released under the LOWB moniker.
    Aside from his own projects, Andy Barlow has also produced and mixed brilliant albums for an array of talented artists, including the acclaimed Distance And Time for FINK and, in more recent years, DAVID GRAY’s latest album Mutineers and the brilliant debut album from THE RAMONA FLOWERS Dismantle and Rebuild.
    His compositions have been used in adverts for both Guinness and the Tomb Raider: Underworld video game, in movies including Baz Luhrman’s Moulin Rouge!, and television shows like Six Feet Under, CSI and Torchwood.
    Within Lamb, and also under his HIPOPTIMIST alias, Andy has remixed tracks for a breadth of incredible bands and artists such as PLACEBO, ELBOW and DAMIEN RICE.
    A recent and lengthy 18 months with U2 in various studios around the world (including his own in the Sussex countryside) yielded five Andy Barlow- produced songs which appear on their latest album ’Songs of Experience’ and which was out in December 2017.

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    Ant Whiting

    Posted on 24 September 2020
    Ant Whiting is a Mercury nominated multi-instrumentalist Producer, with 2 Double Platinum no 1 UK albums and several top ten UK hits to his name.  Ant has written with and produced for artists such as Lana Del Rey, M.I.A, Matt Maltese, Crystal Fighters, John Newman, Rizzle Kicks, Shaznay Lewis, Soak, Gia Ford, DNCE, The Feeling, Danny Jones and many more. He works from his home studio in Shepherds Bush where he is currently scoring a film soundtrack for BFI and also developing artist...
    Ant Whiting is a Mercury nominated multi-instrumentalist Producer, with 2 Double Platinum no 1 UK albums and several top ten UK hits to his name.  Ant has written with and produced for artists such as Lana Del Rey, M.I.A, Matt Maltese, Crystal Fighters, John Newman, Rizzle Kicks, Shaznay Lewis, Soak, Gia Ford, DNCE, The Feeling, Danny Jones and many more. He works from his home studio in Shepherds Bush where he is currently scoring a film soundtrack for BFI and also developing artists such as Master Peace and Connie Talbot.
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    Bassvictim

    Posted on 13 May 2024

    Bolis Pupul

    Posted on 29 November 2023

    Hot on the heels of a whirlwind year touring the globe and releasing the acclaimed collaboration with Charlotte Adigéry, ‘Topical Dancer’, dance music’s suavest producer-singer-songwriter Bolis Pupul has announced his debut album Letter To Yu.

    Letter To Yu is a love letter to Bolis’ late mother who passed away in 2008 in a traffic accident. Born to a Belgian father and Chinese mother, growing up in Gent, Bolis had not negated his Chinese roots exactly – his mother was born in Hong...

    Hot on the heels of a whirlwind year touring the globe and releasing the acclaimed collaboration with Charlotte Adigéry, ‘Topical Dancer’, dance music’s suavest producer-singer-songwriter Bolis Pupul has announced his debut album Letter To Yu.

    Letter To Yu is a love letter to Bolis’ late mother who passed away in 2008 in a traffic accident. Born to a Belgian father and Chinese mother, growing up in Gent, Bolis had not negated his Chinese roots exactly – his mother was born in Hong Kong – but he certainly hadn’t embraced them. However, in the wake of his mother’s passing, he began coming to terms with his heritage. “When I started to think about my roots, instead of being ashamed of them, I started to embrace them,” he recalls. “And so it became more and more important for me to get in touch with them. I went to evening school here in Belgium and began learning Chinese. I did that for four years. That was the first step.”

    His first visit to Hong Kong in 2018 further crystallised how Bolis wanted to incorporate his Chinese legacy into his music. A primary intention on his first trip to Hong Kong was to locate where his mother – Yu Wei Wun – was born. Not wanting to forget this overwhelming experience, Bolis began writing a letter to his mother so he could properly grasp his thoughts. Much later, when the album began to properly take shape, he remembered the letter. “It became the centerpiece of this album,” he says matter-of-factly.

    The album’s first single/video “COMPLETELY HALF” (built around field recordings on the Hong Kong subway) is a beautifully filmed art-house video by Magnum photographer Bieke Depoorter in the heart of Hong Kong, who follows Bolis exploring its streets and buildings in search for his late mother. The women in the video welcomed Bieke into their homes and daily routines to let her film intricately composed tableaux of their everyday lives, in which Bolis seeks the spirit of his late mother.

    The creation of Letter To Yu has been a pivotal and liberating experience for Bolis. “Even though this trip was very emotional and at times sad, I also had some great times that just made me really happy,” he concludes. “This resulted in a very uplifting melody where I felt like I could handle my life.”

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    Boshra AlSaadi

    Posted on 08 March 2022

    Boshra AlSaadi, aka SAADI, is a Syrian American musician living in New York City. Her sound shows traces of her vast and diverse influences ranging from dancehall to traditional Arabic dabke, from Brian Eno to Lady Saw, resulting in a real fusion of sound that would lend itself to a sweaty dance floor or a darkened bedroom. AlSaadi’s former projects include Brooklyn’s TEEN and the late great Janka Nabay and the Bubu Gang.

    Coby Sey

    Posted on 04 May 2021

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, meld...

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, melding sounds and space with introspective lyrics. Sey’s open-door approach to sharing and making music stretches to his work with London Contemporary Orchestra – with CURL the collective he founded with Mica Levi and Brother May – and a regular slot on NTS Radio which offers a portal into his appealingly murky musical world.

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    Crooked Man

    Posted on 30 September 2021

    Mixing raw, back-to-basics house with pop-friendly vocals and hooks, Crooked Man is one of the many aliases of maverick Sheffield, England-based DJ/producer Richard Barratt. During his time with projects including Funky Worm, Sweet Exorcist, and All Seeing I in the ’80s and ’90s, and his production career in the 2000s and 2010s, Barratt never lost his passion for the classic house singles he introduced to Sheffield as a DJ. On albums such as 2018’s Crooked House, Crooked Man keeps th...

    Mixing raw, back-to-basics house with pop-friendly vocals and hooks, Crooked Man is one of the many aliases of maverick Sheffield, England-based DJ/producer Richard Barratt. During his time with projects including Funky Worm, Sweet Exorcist, and All Seeing I in the ’80s and ’90s, and his production career in the 2000s and 2010s, Barratt never lost his passion for the classic house singles he introduced to Sheffield as a DJ. On albums such as 2018’s Crooked House, Crooked Man keeps the spirit of that music alive and thriving.

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    DāM-FunK

    Posted on 20 May 2020

    Known as Los Angeles‘ “Ambassador of Boogie Funk,” Dam-Funk represents the citizens of the Funkmosphere. Headquartered in the Leimert Park section of L.A., Dãm (pronounced: ‘Dame’ as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-’80s styles known as Boogie, Modern Soul and Electro-Funk. 

    As a DJ/selector, Dãm attracts the most discerning Boogie Funk afficionados within driving distance of his storied Monday-night Funk...

    Known as Los Angeles‘ “Ambassador of Boogie Funk,” Dam-Funk represents the citizens of the Funkmosphere. Headquartered in the Leimert Park section of L.A., Dãm (pronounced: ‘Dame’ as in Damon) spent the last few years cultivating a musical renaissance rooted in the early-’80s styles known as Boogie, Modern Soul and Electro-Funk. 

    As a DJ/selector, Dãm attracts the most discerning Boogie Funk afficionados within driving distance of his storied Monday-night Funkmosphere parties. But it’s not just collectors at the bar toasting to the melodic sounds. Anyone who grooves to the likes of Slave, Aurra, early Prince, Prelude Records and the like, will get a dose of those groups’ unknown contemporaries – more obscure but equally Funk-worthy. 

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    Dean Blunt

    Posted on 20 May 2020

    Maverick musician and producer Dean Blunt, a London (Hackney), played bass in Graffiti Island prior to making bigger waves with Inga Copeland as Hype Williams. The duo was classified as chillwave and as hypnagogic pop, two terms Blunt rejected. From 2009 through 2012, Hype Williams released a handful of albums and several singles and EPs, where material ranged from lo-fi house to noisy collages with equally whimsical titles. Blunt started releasing solo material in 2011 and quickly built a di...

    Maverick musician and producer Dean Blunt, a London (Hackney), played bass in Graffiti Island prior to making bigger waves with Inga Copeland as Hype Williams. The duo was classified as chillwave and as hypnagogic pop, two terms Blunt rejected. From 2009 through 2012, Hype Williams released a handful of albums and several singles and EPs, where material ranged from lo-fi house to noisy collages with equally whimsical titles. Blunt started releasing solo material in 2011 and quickly built a discography that rivaled the size of his work with Copeland. Among his most notable full-lengths were The Narcissist II (Hippos in Tanks, 2012), The Redeemer (Hippos in Tanks, 2013), and Black Metal (Rough Trade, 2014). The first two of those three saw him dabble in slack singing and songwriting, while the last of the bunch was a full embrace of the form that was even, at times, guitar-based. In 2015, he released an online mini-album titled Babyfather. He then expanded Babyfather into a full-blown project, presented as a trio including DJ Escrow and Gassman D (which, in all likelihood, are alter egos of Blunt himself). Following two self-released mixtapes, Hyperdub issued Babyfather’s single “Meditation” (co-produced by Arca) and full-length BBF Hosted by DJ Escrow in 2016.

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    Dice Raw

    Posted on 28 October 2020

    Karl “ Dice Raw” Jenkins is a mainstay of the Philadelphia Hip-Hop Scene, and most commonly associated over the years as a principal songwriter/collaborator /producer for The Roots.

    At the young age of 15, the legendary Roots crew first took Dice Raw under their umbrella, when their production member, Kelo, first discovered him at a local talent show. Little did they know, Dice had already begun his music industry career at age 13, when he worked in California for New Edition offsho...

    Karl “ Dice Raw” Jenkins is a mainstay of the Philadelphia Hip-Hop Scene, and most commonly associated over the years as a principal songwriter/collaborator /producer for The Roots.

    At the young age of 15, the legendary Roots crew first took Dice Raw under their umbrella, when their production member, Kelo, first discovered him at a local talent show. Little did they know, Dice had already begun his music industry career at age 13, when he worked in California for New Edition offshoot, Bell Biv Devoe. Dice Raw’s debut with the band came on their classic, “The Lesson, Pt. 1”, and soon after, he made a name for himself with cameos on “Episodes” and “Adrenaline”, where his hard-hitting style complemented the heady rhymes of Roots leader, Black Thought. Dice Raw has made several guest appearances on several mixtapes. He made an appearance in fellow band member and beatboxer Scratch’s first solo album, Embodiment of Instrumentation.

    In 2000, Dice Raw released his solo debut album, Reclaiming the Dead, on MCA Records. He also recorded vocals for the entrance theme of WWE superstar, Kung Fu Naki. The track is titled “Kung Fu San”, and samples Carl Douglas’ Kung Fu Fighting, available on Voices: WWE The Music Vol. 9. In 2011, Dice Raw co-wrote, rapped, and sang on several tracks of The Roots acclaimed Undun album, including the celebrated “Lighthouse”, “Make My” featuring Big K.R.I.T., and “One Time”, featuring Phonte.

    Additionally, Dice Raw has been in the studio working on his own material. In May 2010, he released his first solo single in 10 years entitled “100” off of his 3-part solo project, The Greatest Rapper Never. The single is a digital release and was made available on iTunes. In August 2012, Dice Raw offered the fans a sampler of sounds to come with his well-received The Greatest Rapper Never: The Mixtapes Vol. 1, including a feature from Raw Life artist, Rone, and 13 tracks of Dice’s diverse songwriting and rap flows. He is now working on part 2 of the The Greatest Rapper Never trilogy, set for release in Fall 2012 and featuring Black Thought, Raheem DeVaughn, and more.

    Dice Raw was also part of the now-defunct group, Nouveau Riche, along with the Philadelphia Hip-Hop collaborative, The Money-Making Jam Boys. He continues to expand his touch on new music through his label, Raw Life Records. Under Raw Life, he is developing the new generation of the Philadelphia/Roots dynasty via artists such as Rone, Mazon, and Yazz The Greatest. He is currently expanding his talents into Hip-Hop theater and web/TV-based, multimedia content.

     

    In 2014, Dice Raw has taken on the cause of Black male incarceration in America with his magnum opus, “Jimmy’s Back” – [iTunes link]. The highly acclaimed concept album inspired by New York Times bestselling book “The New Jim Crow” is a lyrical odyssey through the plight of the prison system, told musically by Dice Raw and a cadre of excellent MC ex-felons. Most recently, the album debuted as the stage play “The Last Jimmy” at Philadelphia’s coveted Kimmel Center for the Performing Arts. He also has plans to release a book in the near future, and was an instrumental contributor to The Roots’ 2014 album, “And Then You Shoot Your Cousin”, released in May 2014.

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    DJ Falcon

    Posted on 01 November 2023

    DJ Falcon (born Stéphane Quême) is a French DJ, record producer, and photographer. He was signed with Roulé, Thomas Bangalter’s own label, where he released his first EP Hello My Name Is DJ Falcon. DJ Falcon and Bangalter later formed a band together called Together where they released just two songs, “So Much Love to Give” and “Together”. DJ Falcon co-wrote and co-produced the song “Contact” with Daft Punk, released on Random Access Memories in 2013. An old version of Contac...

    DJ Falcon (born Stéphane Quême) is a French DJ, record producer, and photographer. He was signed with Roulé, Thomas Bangalter’s own label, where he released his first EP Hello My Name Is DJ Falcon. DJ Falcon and Bangalter later formed a band together called Together where they released just two songs, “So Much Love to Give” and “Together”. DJ Falcon co-wrote and co-produced the song “Contact” with Daft Punk, released on Random Access Memories in 2013. An old version of Contact could be heard in a 2002 live set. Falcon noted that when he worked on “Contact” with the duo in Paris, they felt that it needed something akin to a countdown. After contacting NASA for audio recordings, Daft Punk and Falcon settled on an excerpt where someone was called “Bob”, as that was Falcon’s skating nickname when he was first introduced to Bangalter and Guy-Manuel de Homem-Christo.

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    DRIFT (by Renaud Letang)

    Posted on 25 February 2025

    The art of Renaud Letang invites you into an intimately interconnected world. From inside his studio, the Grammy-nominated producer––behind some of the most canonised albums of the last few decades––is a therapist, a problem solver, and skilled technician who transforms the spaces he occupies into playgrounds for artists. Now, debuting as DRIFT and unveiling his own project titled DRIFT ISLAND, Letang creates music that is designed to be felt as much as heard.

    Born in 1970 in Iran to ...

    The art of Renaud Letang invites you into an intimately interconnected world. From inside his studio, the Grammy-nominated producer––behind some of the most canonised albums of the last few decades––is a therapist, a problem solver, and skilled technician who transforms the spaces he occupies into playgrounds for artists. Now, debuting as DRIFT and unveiling his own project titled DRIFT ISLAND, Letang creates music that is designed to be felt as much as heard.

    Born in 1970 in Iran to French parents, his childhood was spent in far-flung locales—Tehran, Paris, Indonesia, and Venezuela and his father, a classical jazz pianist, would play for hours each night. His omnipotence from ’88 onwards is virtually unmatched. At 18, he began as an engineer in Paris at the revered Guillaume Tell studio. For the next three years, he led the reigns as the main assistant, breathing life into hall-of-fame songs before the world would hear them. A baby-faced presence among stars like Prince, Ray Charles, and Charles Aznavour.

    In 1990, Letang picked up a side gig as Jean-Michel Jarre’s engineer, offering a foundational rupture in his career when he oversaw the sound production for Jarre’s timeless La Défense concert. After turning down Phil Ramone’s offer to join him in the US, Letang branched out as a freelancer, working on albums like The Silencers’ So Be It and Manu Chao’s Clandestino and Próxima Estación: Esperanza. The wild style forged in these collaborations anchored these lasting relationships that define his career.

    In the early 2000s, eager to step out of his comfort zone again, the stars aligned when Chilly Gonzales moved to Paris, opening the doors to a partnership. Introducing Letang to his friend Feist, Gonzales suggested they collaborate—a connection that culminated in Let It Die (made without label backing), and later The Reminder (2007), Metals (2011), and Pleasure (2017). The pair forged a close-knit circle, counting Gonzales, Feist, Peaches, Jamie Lidell, and Mocky at its core—where Letang’s trusted vision spanned six of Mocky’s albums.

    By the mid-2010s, Letang continued to grow his solo repertoire. While producing a live show for Charlotte Gainsbourg, where Connan Mockasin’s band was performing, he met and eventually found another creative allegiance with Mockasin, Infinite Bisous, and LA Priest, resulting in crackling albums like With Love, Soft Hair and Jass Busters.

    Whether mastering the oud for Palestinian ensemble Le Trio Joubran, or picking up international acclaim mixing the renowned Mali musicians Amadou & Mariam’s Foila––Letang’s work maps out his vast social and cultural foundations. Conceptualised alongside Chilly Gonzales at Studio Ferber in Paris, every offering as DRIFT is an act of love in that sense, prepared with great care. It’s the culmination of countless years of experience and a childhood immersed in the language of music, guided by one of the few producer-turn-artists with the range to pull it off.

    A meeting of maverick minds, his collaborations with Feist, Connan Mockasin, Jamie Lidell, Saul Williams, Benny Sings, Mocky, Philippe Katerine, and Infinite Bisous reflect years of creative synergy. The narrative unfolds like a coming-of-age tale, exploring the complexities of feeling adrift in a world made for connection. DRIFT ISLAND is music made for the end of a rooftop barbecue, when the sun dips, the beer is nearly done, and everyone who doesn’t want to be there has gone already. Here, you can be honest, goofy, even silent.

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    Electric Youth

    Posted on 28 November 2023

    After Electric Youth first made a splash in 2011 with their contribution to the Drive soundtrack, “A Real Hero,” the Toronto duo’s widescreen synth pop defined the stylish, slightly retro sound that flourished for the rest of the 2010s. On their 2014 debut album Innerworld, instrumentalist/producer Austin Garrick and singer Bronwyn Griffin defined their breezy yet pulsing take on ’80s sounds as filtered through a soft-focus 21st century lens. Later, they made the most of their flair f...

    After Electric Youth first made a splash in 2011 with their contribution to the Drive soundtrack, “A Real Hero,” the Toronto duo’s widescreen synth pop defined the stylish, slightly retro sound that flourished for the rest of the 2010s. On their 2014 debut album Innerworld, instrumentalist/producer Austin Garrick and singer Bronwyn Griffin defined their breezy yet pulsing take on ’80s sounds as filtered through a soft-focus 21st century lens. Later, they made the most of their flair for the cinematic with 2017’s largely instrumental Breathing (which was originally conceived as a soundtrack) and showcased the breadth and depth of their music with the ambitious pop of 2019’s Memory Emotion.

    Garrick and Griffin met while in sixth grade, began dating a couple years later, and officially started the band in 2009. After recording a few demos, including a cover of Clio’s Italo-disco classic “Faces,” they caught the ear of the similarly ’80s-focused Valerie Collective and met up with like-minded artists such as College, Anoraak, and others. Around this same time, they self-released their first single, “Replay,” and started performing shows around town. They also began working with College in earnest, providing vocals for the song “She Never Came Back” on the 2009 album Secret Diary. ’80s-focused artist Grum also came calling and Griffin provided vocals for a track (“Turn It Up”) on his 2010 album Heartbeats. The next year saw their big break with “A Real Hero,” another College collaboration that was featured in Nicolas Winding Refn’s 2011 film Drive. Partly inspired by the 2009 crash landing of Flight 1549 and the heroic actions of pilot Chesley Sullenberger, the song earned critical acclaim and helped define the dreamy synth pop sound associated with Refn’s aesthetic. The duo’s second single, “Right Back to You,” arrived soon after and was followed by the 2012 track “The Best Thing.”

    To make their debut album, Electric Youth recorded in their Toronto studio and in an L.A. studio that came complete with a screening room, which allowed Griffin and Garrick to let their cinematic obsession bleed into the music. While they worked with co-producers Vince Clarke and Peter Mayes, the duo also made time to appear on Sally Shapiro‘s 2013 album Somewhere Else. After signing to Secretly Canadian, they released the single “Innocence,” the first taste of September 2014’s Innerworld. Featuring “A Real Hero” and “The Best Thing” along with previously unreleased tracks, the album was widely acclaimed. Following Innerworld’s release, Electric Youth reunited with Refn, lending the song “Good Blood” to the soundtrack of his 2016 film The Neon Demon. Garrick and Griffin also collaborated with director Anthony Scott Burns, composing music for his film Breathing; however, the movie was changed so much during post-production that both Burns and the duo left the project. Griffin and Garrick then released the Breathing score on Milan Records as part of the Nicolas Winding Refn Presents series of albums in September 2017. In 2019, Electric Youth worked with Gesaffelstein on his album Hyperion and contributed to Ryuichi Sakamoto‘s remix album async: Remodels before delivering their second album, Memory Emotion. Recorded in their Toronto home with vintage synths and samplers, the album was released by Last Gang Records in August 2019.

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    George FitzGerald

    Posted on 20 May 2020

    George FitzGerald is a singular voice in electronic music, uniting underground dancefloor progressivism with pop’s cutting edges. Following the release of 2015’s debut album Fading Love and 2018’s breakthrough album All That Must Be, last year he released his third studio album, Stellar Drifting, featuring tracks with Panda Bear, London Grammar and SOAK, and artwork created by the celebrated designer David Rudnick.

    Concluding a sold out UK and European tour in October, FitzGe...

    George FitzGerald is a singular voice in electronic music, uniting underground dancefloor progressivism with pop’s cutting edges. Following the release of 2015’s debut album Fading Love and 2018’s breakthrough album All That Must Be, last year he released his third studio album, Stellar Drifting, featuring tracks with Panda Bear, London Grammar and SOAK, and artwork created by the celebrated designer David Rudnick.

    Concluding a sold out UK and European tour in October, FitzGerald returned to the studio and this summer will release a new EP entitled Not As I. Featuring recent Lana Del Rey collaborator SYML, the solo project of American artist Brian Fennell, on the track “Mother”, the EP showcases his continued evolution as a producer, and his ability to reframe his work through new collaborations.

    FitzGerald has been a preeminent figure in electronic music for over a decade. After many years in Berlin releasing tracks on labels including Aus and Hotflush Recordings, FitzGerald signed to Domino’s imprint label Double Six in 2013 and made the transition from club producer to album artist, establishing a celebrated live show, and working with icons such as Bonobo and Everything But the Girl’s Tracey Thorn. As well as a collaboration album entitled OTHERLiiNE with UK artist Lil Silva, FitzGerald helped produce London Grammar‘s 2021 number one album, hosted his very own BBC Radio 1 residency and boasts a remix roster with the likes of Foals, Moby and Jon Hopkins.

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    Gold Panda

    Posted on 20 May 2020

    Nearly three years after the release of his debut album ‘Luck Shiner’, Gold Panda announces his second album ‘Half Of Where You Live’, released on his own NOTOWN Recordings (and Ghostly International in America). The intervening period saw Gold Panda touring the world multiple times around and absorbing influences and probing potential new avenues of creative exploration on a handful of interim releases, leading to what feels like the definitive studio return of the Essex-born produce...

    Nearly three years after the release of his debut album ‘Luck Shiner’, Gold Panda announces his second album ‘Half Of Where You Live’, released on his own NOTOWN Recordings (and Ghostly International in America). The intervening period saw Gold Panda touring the world multiple times around and absorbing influences and probing potential new avenues of creative exploration on a handful of interim releases, leading to what feels like the definitive studio return of the Essex-born producer. It was, of course, ‘Lucky Shiner’ that propelled the unassuming south-easterner into a world of ever changing territories and accelerated life experiences. The blog buzz that surrounded portentous early EPs like ‘Quitter’s Raga’, ‘Miyamae’ and ‘You’ spilt over with his debut LP, a record that burst out from the bedroom and onto the dance floor with its wonky beats, chopped up samples and tech-flecked melodies.

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    Hinako Omori

    Posted on 01 February 2023

    Hinako Omori is a Japanese composer, musician and producer based in London. Her music offers immersive sonic architectures and environments in which to process and access emotional states through binaural recording or multi-channel installation, across ambient synthesizer and vocal music, classical arrangement and composition. Hers is music with spirit and awareness; it unfurls in the mind’s eye, inviting the listener to turn inwards. Likening her process to painting or weaving, she layers,...

    Hinako Omori is a Japanese composer, musician and producer based in London. Her music offers immersive sonic architectures and environments in which to process and access emotional states through binaural recording or multi-channel installation, across ambient synthesizer and vocal music, classical arrangement and composition. Hers is music with spirit and awareness; it unfurls in the mind’s eye, inviting the listener to turn inwards. Likening her process to painting or weaving, she layers, melds and merges textures and sound sources to quilt her uniquely enveloping compositions.  

    Omori’s palette is rooted in analogue synths (often the Prophet 8, OB6 or Moog Matriarch) alongside processed voice and field recording. Her first album “a journey…” (Houndstooth, 2022) combined therapeutic frequencies, forest bathing, and binaural sound – a meditative cartography of the mind in ambient electronics that explored the physical and psychological effects of sound in therapy, brain entrainment and frequencies that can affect our brainstates. Her second, “stillness, softness…” (Houndstooth, 2023) mapped an emotional landscape, where the nuanced response of her synthesizers became a portal to the subconscious.

    Omori’s lush textures and many-layered approach to composition have garnered her critical acclaim and radio play across BBC 6 Music, BBC Radio 1, 3 & 4, KEXP and NTS. “a journey…” was called “remarkable” by Pitchfork and “blissfully restorative” by Loud and Quiet, and “stillness, softness…” was credited as a “deeply enchanting patchwork” by Electronic Sound magazine. She has been covered in features and reviews in Pitchfork, The Guardian, Rolling Stone, Crack Magazine, Clash Magazine, Sound On Sound, Composer Magazine, The Vinyl Factory and elsewhere.

    Previous to her first full length, she also released a string of singles and EPs, including the transportive 12″ single Voyage (2019), which was shortly followed by EP Auraelia (2019), inspired by a period in which she experienced intense migraines that were accompanied by auras and other visual distortions. Remix releases include contributions by Claire Rousay, Coby Sey, Patricia Wolf, Foodman and Akiko Haruna. 

    Born in Yokohama, Japan, Omori moved to the UK when she was three years old and now resides in East London. She began her musical path learning classical piano, later obtaining a degree in  Music and Sound Recording (Tonmeister) at the University of Surrey, where she fell in love with analogue electronics.

    As a versatile pianist, synthesist and producer, Omori is involved in multiple collaborations at any one time. She performed with a 60-piece orchestra for BBC Radio 3’s Unclassified Live, and in 2024 joined Floating Points’ ensemble at the Hollywood Bowl in Los Angeles to perform Promises, his collaborative album with the late Pharoah Sanders. Omori is also a member of Will Gregory’s Moog Ensemble, performing composed material and repertoire from electronic music icons such as Wendy Carlos and John Carpenter, alongside the music of classical composers arranged for synthesizers.

    As a composer and arranger she has worked on various projects, including an original score for Serpentine Gallery’s Intimacies podcast and orchestral commissions for the BBC. In 2022 she collaborated with American artist Cécile B. Evans on sound design for their multimedia installation work Notations for an Adaption of Giselle (welcome to whatever forever), 2020, exhibited at the Centre Pompidou and online via Frieze. Omori has also scored film and moving image work, including short animation Organima, which captured the real time creation of galls on a maple leaf, and Invisible Monsters & Tomato Soup, which visualised the dreams of people during the pandemic (premiered on The New Yorker). She also collaborated with poet and musician Keaton Henson on his 2024 album “Somnambulant Cycles”.

    Omori has toured extensively as a solo artist, performing in venues such as Southbank Centre, The National Gallery, St Paul’s Cathedral, ICA, Kings Place, Volksbühne, Bishopsgate Institute, at festivals including Le Guess Who, ADE, Pitchfork (London), SXSW (Houndstooth / MUTEK) and Hans-Joachim Roedelius’ More Ohr Less Festival, and DJ sets at Tate Modern and POLA Museum. She has supported Ichiko Aoba, L’Rain, Anna Meredith, Beth Orton, Erland Cooper and Holy Other.

    She has also toured internationally and collaborated in the studio with artists including Utada Hikaru, Kae Tempest, Shabaka, Ed O’Brien (EOB), Georgia, Grian Chatten and Sophie Hunger.

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    Ian Pickering

    Posted on 12 April 2023

    Ian Pickering is a co-lyricist for the British band, Sneaker Pimps. He has previously collaborated with Natalie Imbruglia, Front Line Assembly, Transporter, Emiliana Torrini  and is a founding member of Anglo-French dark electronic rock/pop group ‘The Noise Who Runs’.

    Iglooghost

    Posted on 20 May 2020

    Iglooghost is a UK-based artist who creates music, artwork, and puzzles that all gravitate around a fictional ecosystem of strange entities and tiny gods. Each of Iglooghost’s releases expands on this universe through multimedia content, and in 2024, he released his fourth album, Tidal Memory Exo, via Lucky Me. Splitting his time between making otherworldly laptop music as Iglooghost, he also collaborates with Kai Whiston and BABii collectively as ‘Gloo’—creating clothing, club nights...

    Iglooghost is a UK-based artist who creates music, artwork, and puzzles that all gravitate around a fictional ecosystem of strange entities and tiny gods. Each of Iglooghost’s releases expands on this universe through multimedia content, and in 2024, he released his fourth album, Tidal Memory Exo, via Lucky Me. Splitting his time between making otherworldly laptop music as Iglooghost, he also collaborates with Kai Whiston and BABii collectively as ‘Gloo’—creating clothing, club nights, and strange online artifacts.

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    Illuminati Hotties

    Posted on 21 March 2022

    Illuminati Hotties are an American indie rock band from Los Angeles, California, created and fronted by producer, mixer, and audio engineer Sarah Tudzin. In 2021, Pitchfork included the album “Let Me Do One More” on their list of Best Rock Albums of that year. In her review, Nina Corcoran wrote: “Alternating between folk-punk ballads and power-pop rippers, Tudzin cracks open an oversized champagne bottle of fun and feelings.” The band’s third album is set for release in 2024, and i...

    Illuminati Hotties are an American indie rock band from Los Angeles, California, created and fronted by producer, mixer, and audio engineer Sarah Tudzin. In 2021, Pitchfork included the album “Let Me Do One More” on their list of Best Rock Albums of that year. In her review, Nina Corcoran wrote: “Alternating between folk-punk ballads and power-pop rippers, Tudzin cracks open an oversized champagne bottle of fun and feelings.” The band’s third album is set for release in 2024, and includes single “Can’t Be Still”, with Tudzin self-describing Illuminati Hotties as ‘tenderpunk’.

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    Isom Innis

    Posted on 20 May 2020

    Isom Innis is a Los Angeles based producer, mixer, songwriter, & musician, and a member of the band Foster The People. Isom’s credits include writing and production work for Foster The People, Coin, Kimbra, Azealia Banks, The Kooks, Grace Mitchell, Day Wave, and most recently with Domino Publishing writer Lava La Rue on her single ‘Angel’

    Jack Slade

    Posted on 01 July 2021

    20-year-old South Australian based singer/songwriter & performer Jack Slade, brings a contemporary approach to alternative bedroom styled pop music drawing inspiration from many genres and projecting it on his own sonic creations. Being self-taught Jack has explored many sounds over the years and with his debut EP it’s his truest expression yet.

    Jens Kuross

    Posted on 20 May 2020

    A graduate of Berklee College of Music, the music of Jens Kuross occupies a rare space in the world with his particular way of melding evocative lyrics and dreamy arrangements with introspective, yet sublime songwriting. In the last two years, the multi-talented singer-songwriter has released a string of hypnotic releases, most recently his acclaimed EP “Art! at the expense of mental health, Vol. 2”, which was released in October 2018 and served as the second instalment of his multi-facet...

    A graduate of Berklee College of Music, the music of Jens Kuross occupies a rare space in the world with his particular way of melding evocative lyrics and dreamy arrangements with introspective, yet sublime songwriting. In the last two years, the multi-talented singer-songwriter has released a string of hypnotic releases, most recently his acclaimed EP “Art! at the expense of mental health, Vol. 2”, which was released in October 2018 and served as the second instalment of his multi-faceted ‘Art! at the expense of mental health’ project.
    Live, Jens has performed across the world, including headline dates at Omeara and Servant Jazz Quarters in London, and has supported Bonobo, Rhye, Go Go Penguin and RY X, who he also performs with as an active member of The Acid alongside Adam Freeland and Steve Nalepa.
    More details on Jens’ debut album will be coming soon. For now, Jens has said the following about the upcoming record, “How are you supposed to sardonically reject social media driven, style obsessed, scenester music culture when a penchant for sincere song-writing and a reluctantly held Instagram account are your only tools? – I haven’t a clue. But I think, among other things, this record is a work trying to reconcile that contradiction whilst bemoaning the digital revolution for reducing all us fair-weather contrarians to hypocrites.”

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    Joe Harrison

    Posted on 20 May 2020

    Joe Harrison is a producer, engineer, session musician and multi-instrumentalist based in Los Angeles. Harrison is a swiss army knife in the studio. In his 15 years working in the recording industry he has worked as an audio engineer for Mark Ronson and Adele, as a session musician for Taylor Swift and Gunna, and as a producer and writer for Frank Dukes, Anderson .Paak, Lianne la Havas, Nick Hakim and many others. Harrison is equally fluid throughout many styles and genres, while still mainta...

    Joe Harrison is a producer, engineer, session musician and multi-instrumentalist based in Los Angeles. Harrison is a swiss army knife in the studio. In his 15 years working in the recording industry he has worked as an audio engineer for Mark Ronson and Adele, as a session musician for Taylor Swift and Gunna, and as a producer and writer for Frank Dukes, Anderson .Paak, Lianne la Havas, Nick Hakim and many others. Harrison is equally fluid throughout many styles and genres, while still maintaining a common thread in his work as a result of his unique approach and distinct sonic identity.

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    Joel Ford

    Posted on 20 May 2020

    Joel Ford first exploded onto Brooklyn’s electronic music scene as the formidable leftfield synth-duo Games, and later as Ford & Lopatin. While maintaining projects as an artist, Joel has spent the past decade working as a producer, mixer, engineer and composer for such projects as Oneohtrix Point Never, How To Dress Well, Jacques Greene, Autre Ne Veut, Com Truise, Cyril Hahn, Alex Cameron, North Americans, Kirin J Callinan, Heathered Pearls, and Young Ejecta.

    Joel has recently emerged...

    Joel Ford first exploded onto Brooklyn’s electronic music scene as the formidable leftfield synth-duo Games, and later as Ford & Lopatin. While maintaining projects as an artist, Joel has spent the past decade working as a producer, mixer, engineer and composer for such projects as Oneohtrix Point Never, How To Dress Well, Jacques Greene, Autre Ne Veut, Com Truise, Cyril Hahn, Alex Cameron, North Americans, Kirin J Callinan, Heathered Pearls, and Young Ejecta.

    Joel has recently emerged as a premier game audio sound designer after mixing Nintendo’s Legend of Zelda: Cadence of Hyrule (OST). The 2019 Nintendo release features gameplay based mostly around the music and has been heralded as “the best Legend of Zelda offshoot ever made” -Polygon.

    His forward thinking blend of analog and digital processing makes him a flexible and powerful sound designer, churning out successful works in the TV / Advertising, Film, Game Audio, and Music worlds.

    Joel works out of his studio in East Los Angeles owned and run by his record label, Driftless Recordings.

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    John Congleton

    Posted on 20 May 2020

    John Congleton is Grammy Winning American producer/engineer/mixer/writer. John works out of his his studio (EStudios) in Dallas, Texas. In addition to his production work Congleton fronted the indie rock band, The Paper Chase, and writes music for a newer project entitled The Nighty Nite and music for various projects, including MTV’s Jackass, the Discovery Channel, and several Halloween sound effects/music CDs.

    John has worked with St. Vincent, The Walkmen, Modest Mouse, Angel Olsen (a...

    John Congleton is Grammy Winning American producer/engineer/mixer/writer. John works out of his his studio (EStudios) in Dallas, Texas. In addition to his production work Congleton fronted the indie rock band, The Paper Chase, and writes music for a newer project entitled The Nighty Nite and music for various projects, including MTV’s Jackass, the Discovery Channel, and several Halloween sound effects/music CDs.

    John has worked with St. Vincent, The Walkmen, Modest Mouse, Angel Olsen (also Domino Publishing via Ribbon Publishing), Swans, The Thermals, Sigur Rós, Franz Ferdinand (Domino Records), Sparks, Chelsea Wolfe, Nelly Furtado, Cloud Nothings, Earl Sweatshirt, Clap Your Hands Say Yeah, Something for Kate, Okkervil River, Sarah Jaffe, David Byrne, Brian Wilson, Astronautalis, Bill Callahan, Smog, Xiu Xiu, Lower Dens, The Polyphonic Spree, Unknown Mortal Orchestra, Kirk Franklin, Explosions in the Sky, The Black Angels, Blood Red Shoes, Clinic, R. Kelly, The Mountain Goats, Swan Lake, The Octopus Project, Wye Oak, Rogue Wave, Erykah Badu, The Roots, Trash Talk, Amanda Palmer, Heartless Bastards, Sleater Kinney, Minus Story, Chairlift, Bitch Magnet, Maserati, 90 Day Men, Rubblebucket, Autopilot Off, Margot & the Nuclear So and So’s, Marilyn Manson, John Grant, SUUNS, Elvis Perkins, Jens Lekman, Bono, Two Ton Boa, Pink Mountaintops, Hitch, Logh, Chin Up Chin Up, Sybris, Black Mountain, Baroness, Ximena Sarinana, Lightning Dust, Zzzz, John Vanderslice, Hagfish, Big Harp, Antony and the Johnsons, Mozella, The Toadies, Buddy Miles, MC Breed, William Elliott Whitmore, This Will Destroy You, Lymbyc Systym, Anna Calvi, Micah P. Hinson, Keren Ann, The Appleseed Cast, Port O’Brien, Land of Talk, Brutal Juice, Shearwater, The New Pornographers, The Good Life, Pattern is Movement, Treefight For Sunlight, Bleeding Heart Pigeons, Black Joe Lewis, Pompeii, Waters, Knesset, Budos Band, Murder By Death, Thao and the Get Down Stay Down, Disappears, Two Gallants, We Ragazzi, Dismemberment Plan, Andrew Jackson Jihad, Monika, Mini Mansions, Strand Of Oaks, The Districts, and Civil Twilight. Did we miss anybody? It’s an understatement to say John is busy these days!

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    Jon Hopkins

    Posted on 20 May 2020

    Jon Hopkins has been a trailblazer in electronic music for over two decades, captivating listeners worldwide. Prior to releasing solo albums, Hopkins was known as an expert producer, collaborating with the likes of Coldplay and Brian Eno, and securing an Ivor nomination for his work scoring feature film, Monsters (2010), directed by Gareth Edwards.

    Now, in 2024, he is gearing up for another exciting chapter with the release of his upcoming album, “Ritual,” set for release August 30th. Wit...

    Jon Hopkins has been a trailblazer in electronic music for over two decades, captivating listeners worldwide. Prior to releasing solo albums, Hopkins was known as an expert producer, collaborating with the likes of Coldplay and Brian Eno, and securing an Ivor nomination for his work scoring feature film, Monsters (2010), directed by Gareth Edwards.

    Now, in 2024, he is gearing up for another exciting chapter with the release of his upcoming album, “Ritual,” set for release August 30th. With each release, Hopkins continues to push boundaries and provide audiences with stunning audio-visual performances, exemplifying his own visionary.

     

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    Jon Joseph

    Posted on 29 June 2022

    Writer/producer/multi-instrumentalist Jon Joseph works out of his studio in San Pedro, CA. Leaving high school early to pursue production, Jon Joseph built a name for himself around the Southern California alt-pop scene. Recent work includes co-writes and/or production for illuminatti hotties, Medium Build, Jakob’s Castle, Becca Mancari, Mini Trees, AVIV, BOYO, The Undercover Dream Lovers and many more.

    Kaitlyn Aurelia Smith

    Posted on 19 July 2023

    Kaitlyn Aurelia Smith, the world-renowned, award-winning electronic artist, transforms synth-driven soundscapes into immersive, otherworldly experiences. Known for her ability to weave organic textures with futuristic electronic elements, Kaitlyn creates music that feels both ethereal and deeply human. Her work blurs the lines between ambient, experimental, and dance music, capturing the attention of tastemakers and festival-goers alike. As a classically trained jazz musician and sound engine...

    Kaitlyn Aurelia Smith, the world-renowned, award-winning electronic artist, transforms synth-driven soundscapes into immersive, otherworldly experiences. Known for her ability to weave organic textures with futuristic electronic elements, Kaitlyn creates music that feels both ethereal and deeply human. Her work blurs the lines between ambient, experimental, and dance music, capturing the attention of tastemakers and festival-goers alike. As a classically trained jazz musician and sound engineer, she brings unparalleled technical expertise and artistic depth to her craft. With each release, Kaitlyn continues to innovate, crafting sound journeys that challenge convention and connect listeners on a visceral level. A true sonic architect, she transcends genre, reshaping the possibilities of music.

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    Laura Les

    Posted on 05 June 2020

    Originally from St. Louis, Missouri, Laura is a producer and songwriter currently based in Chicago. As a solo artist, Laura has released numerous EPs including i just don’t wanna name it anything with “beach” in it the title”, and “hello kitty stakes to the fucking CEMETARY”. As a part of the band 100 Gecs, Laura has released both the ep`”100 Gecs” and the full length “1000 Gecs” to critical acclaim. Laura has collaborated with Charli XCX, Black Dresses, Dorian Electra, Ri...

    Originally from St. Louis, Missouri, Laura is a producer and songwriter currently based in Chicago. As a solo artist, Laura has released numerous EPs including i just don’t wanna name it anything with “beach” in it the title”, and “hello kitty stakes to the fucking CEMETARY”. As a part of the band 100 Gecs, Laura has released both the ep`”100 Gecs” and the full length “1000 Gecs” to critical acclaim. Laura has collaborated with Charli XCX, Black Dresses, Dorian Electra, Rico Nasty among others.

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    Lawrence Hart

    Posted on 22 June 2020
    Lawrence famously pushes boundaries on production and genre, weaving hard-hitting club-ready beats, emotional intricacies, and beautiful chilled pieces, suiting busy dancefloors and headphone sessions alike.
    Lawrence Hart has collaborated with the likes of George Fitzgerald, Lil Silva, Chloe Howl and released a collaborative album with Casually Here.

    Lawrence has recently amassed sweeping support across BBC Radio 1 (Annie Mac, Pete Tong – including ‘Essential New Tune’, Danny Howard, J...

    Lawrence famously pushes boundaries on production and genre, weaving hard-hitting club-ready beats, emotional intricacies, and beautiful chilled pieces, suiting busy dancefloors and headphone sessions alike.
    Lawrence Hart has collaborated with the likes of George Fitzgerald, Lil Silva, Chloe Howl and released a collaborative album with Casually Here.

    Lawrence has recently amassed sweeping support across BBC Radio 1 (Annie Mac, Pete Tong – including ‘Essential New Tune’, Danny Howard, Jack Saunders, Jaguar, Sarah Story, Arielle Free, Jess Iszatt, Connor Coates, Vicky Hawkesworth), 6 Music, Radio 1 Dance, Kiss FM, Rinse FM and across specialist radio plus artists including The Blessed Madonna, Martin Garrix, Prospa, Sub Focus, Sister Bliss, Anja Schneider, Elderbook, Sasha and Dixon.

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    Liam Howe

    Posted on 20 May 2020

    Liam Coverdale Howe is a London-based record producer, musician and songwriter. Since forming 90s cult band Sneaker Pimps in 1996, he has had much success producing the likes of Lana Del Rey, Marina and the Diamonds, FKA Twigs, Ellie Goulding, and Tom Vek.

    Luke Reynolds

    Posted on 29 April 2021

    Luke Reynolds is an artist, writer, and producer.
    Reynolds has released six solo albums.  His most recent album Vanishing Places Vol. 2 Glaciers In Iceland was commissioned for CHANGE, a permanent polar art exhibit. As a guitarist and multi-instrumentalist, he has worked with Sharon Van Etten, Adrian Utley, The Staves, Neko Case, Sarah Jarosz, The War On Drugs, Miranda Lambert, Regina Spektor, Guster and Phosphorescent.
    He is a frequent collaborator with producer John Conglet...

    Luke Reynolds is an artist, writer, and producer.
    Reynolds has released six solo albums.  His most recent album Vanishing Places Vol. 2 Glaciers In Iceland was commissioned for CHANGE, a permanent polar art exhibit. As a guitarist and multi-instrumentalist, he has worked with Sharon Van Etten, Adrian Utley, The Staves, Neko Case, Sarah Jarosz, The War On Drugs, Miranda Lambert, Regina Spektor, Guster and Phosphorescent.
    He is a frequent collaborator with producer John Congleton.

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    Lynks

    Posted on 24 May 2022

    By L’s own admission, Lynks began life as a comedy act. “I mean, I had a song called ‘How to Make a Béchamel Sauce in 10 Steps (With Pictures)’. I wasn’t taking it too seriously.” It’s all the more remarkable, then, that he’s gone on to become one of queer pop’s most potent forces. Instantly recognisable thanks to his self-made costumes – that he’s described as making him a ‘masked drag monster’, while NME went for ‘alt-pop gimp’ – his taste for thumping beats...

    By L’s own admission, Lynks began life as a comedy act. “I mean, I had a song called ‘How to Make a Béchamel Sauce in 10 Steps (With Pictures)’. I wasn’t taking it too seriously.” It’s all the more remarkable, then, that he’s gone on to become one of queer pop’s most potent forces. Instantly recognisable thanks to his self-made costumes – that he’s described as making him a ‘masked drag monster’, while NME went for ‘alt-pop gimp’ – his taste for thumping beats, stylised dance numbers and lurid strobe lighting have made the Lynks live experience an unforgettable one, and marked him out as one of the scene’s most unfailingly entertaining performers.

    By the time he released his second EP, Smash Hits Vol. 2, though, Lynks realised he had more to offer. ‘Str8 Acting’ quickly became his biggest hit – “the one song I would play to people if they wanted to know what Lynks was about” – and beneath its skittering beat and wonky electronics is a searingly witty takedown of the fetishisation of heterosexuality in the gay community, delivered in a brilliantly deadpan manner. “That was the first time I’d tried to write a song that was in any way personal,” he recalls. “Why do we have this obsession with being straight acting? And I found, when I started playing it live, that it was really satisfying and cathartic. I was like, “fuck yeah! This is something I believe in!”

    It was a revelatory moment. “When I started out, it wasn’t that my songs were tongue-in-cheek – I mean, my tongue was through my cheek. But I started to realise that being comedic weirdly allows you to bare a bit more of your soul than with traditional lyrics, because they can become a bit flowery and cliche really easily. Being tongue-in-cheek lets you be pretty truthful and comment on bigger issues. You can use it to dig deeper.”

    That was the mindset as he put together this third EP, MEN. It remains quintessentially Lynks, with all three tracks remaining gloriously in-your-face electro-pop bangers, but as the title suggests, he’s using them as vehicles to explore his relationship with masculinity. Lead single ‘Silly Boy’ continues in the same riotously excoriating vein as ‘Str8 Acting’, and was inspired in part by his experiences on tour supporting Frank Carter and the Rattlesnakes. “That made me realise how important it is to embrace a punk ethos in a live show. There’s a lot of power in queer anger, and I rarely see that explored much. Gay men’s anger is characterised as being funny somehow – like sassy or bitchy. But there’s something about queer rage that I love.”

    And yet, at the centre of Lynks is an exploration of queer vulnerability, something that’s become increasingly important to him as the project has morphed from the cabaret act it began as to the queercore behemoth it is today. “It’s great that we’re at a point in time where we have queer people onstage who are incredibly proud, telling the world that we’re fabulous and we’re slaying, but I want to speak more to the fact that the world messes us up quite a bit, and we have problems too, because it’s very difficult growing up queer. I think we can find power by embracing that vulnerability, and I’m enjoying flying the flag for that.”

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    Matthew Otto

    Posted on 20 May 2020

    Having launched into the music scene as half of Canadian art-pop act Majical Cloudz, Montreal based producer, songwriter, and mixer Matthew Otto creates music Pitchfork describes as “aural ambiance [that] humbly glows, soars, and contracts underneath.” A classically trained musician, Otto was studying electroacoustic composition when he was introduced to future bandmate and collaborator, Devon Welsh. Otto’s latest production and writing credits include tracks featured on Solange’s A S...

    Having launched into the music scene as half of Canadian art-pop act Majical Cloudz, Montreal based producer, songwriter, and mixer Matthew Otto creates music Pitchfork describes as “aural ambiance [that] humbly glows, soars, and contracts underneath.” A classically trained musician, Otto was studying electroacoustic composition when he was introduced to future bandmate and collaborator, Devon Welsh. Otto’s latest production and writing credits include tracks featured on Solange’s A Seat At The Table, and Moses Sumney’s Lamentations EP. Otto is currently scoring a full-length feature film and collaborating with Toronto based musician Michael Brock for his latest project, Mind Bath.

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    Melati ESP

    Posted on 18 April 2023

    Melati ESP is the recording alias of Indonesian-born, New York City-based multidisciplinary artist Melati Malay. hipernatural is their debut album.

    Melati (Jasmine in Indonesian) grew up in Jakarta, a sprawling subtropical metropolis with a population of 30 million and the administrative capital of 17,000 Indonesian islands. Like other similar Asian megacities, Jakarta is a bewildering melting pot of ancient traditions and future technologies, which merge in a uniquely Javanese late-capitalis...

    Melati ESP is the recording alias of Indonesian-born, New York City-based multidisciplinary artist Melati Malay. hipernatural is their debut album.

    Melati (Jasmine in Indonesian) grew up in Jakarta, a sprawling subtropical metropolis with a population of 30 million and the administrative capital of 17,000 Indonesian islands. Like other similar Asian megacities, Jakarta is a bewildering melting pot of ancient traditions and future technologies, which merge in a uniquely Javanese late-capitalist equatorial fusion.

    Raised in this environment on a dual diet of western pop music and musik Dangdut (a Javanese form of pop blending Hindustani, Arabic, and Malay influence), Malay eventually relocated to New York City in her early 20’s and collaborated, recorded, and performed with an array of experimental groups, refining her practice at DIY venues across the city.

    Malay has released music as part of multinational experimental trio Asa Tone (Leaving Records) and cinematic pop project Young Magic (Carpark Records), however hipernatural is the first of her work recorded entirely in the language of her childhood, Bahasa Indonesia: “It was liberating, not just phonetically, but also culturally, it was important to me.”

    Over the last decade Malay has collaborated with U.K. trip-hop pioneer Tricky, U.S. cellist and composer Kelsey Lu, Keifing-born Vancouver based producer Yu Su, and innovative 70’s French composer Ariel Kalma. In what could feel like the middle of a long career, this new project by Melati Malay hints that she may only be beginning.

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    Mica Levi

    Posted on 03 July 2020

    Mica Levi is a musician and composer living in South East London who uses programming software, written notation and improvisation to produce music. As well as being a composer for ensembles, film and theatrical productions, they are currently a member of the groups CURL, Good Sad Happy Bad and Tirzah.

    Mike Lindsay

    Posted on 05 June 2020

    Mercury Music Prize winning producer, Mike Lindsay is best known for being the co-founder, composer and producer of UK experimental folk band Tunng and one half of the band LUMP with Laura Marling. Mike has co-written and produced many albums for Speech Debelle, Jon Hopkins, Gotan Project, Farao, DuBlonde, Low Roar, Jae Tyler, Beth Jeans Houghton, Serafina Steer, Hannah Peel, Cibelle and Laura J Martin.

    IMDb

    Moon Bounce (Corey Regensburg)

    Posted on 20 May 2020

    Moon Bounce is mutant pop pioneer and songwriter, Corey Regensburg. Taking cues from dance music, R&B, and even the rhythmic lurch of metal, his output combines soulful vocals with crafty percussion and hyper-controlled synthesis. Moon Bounce is almost always obsessed with groove, occasionally on the verge of falling apart.
    Gaining notoriety from a slew of EPs, including 2014’s acclaimed Dress Rehearsal – the initial release from his Grind Select label — Regensburg’s ambitious com...

    Moon Bounce is mutant pop pioneer and songwriter, Corey Regensburg. Taking cues from dance music, R&B, and even the rhythmic lurch of metal, his output combines soulful vocals with crafty percussion and hyper-controlled synthesis. Moon Bounce is almost always obsessed with groove, occasionally on the verge of falling apart.
    Gaining notoriety from a slew of EPs, including 2014’s acclaimed Dress Rehearsal – the initial release from his Grind Select label — Regensburg’s ambitious compositions and cutting, self-referential lyrical content struck a chord with those sick of the sterile and predictable wave of producers hitting Soundcloud. The music video for lead single “Shake” was nominated for The Berlin Music Video Awards, its depiction of a “puppet bloodbath” a jarring piece of black comedy.
    Releasing a series of singles and EPs on Ryan Hemsworth’s Secret Songs, Activia Benz, Moving Castle and even a collaboration with the legendary The Bloody Beetroots on Dim Mak, Moon Bounce’s mutant pop had found its footing. Shows with Rhye, Slow Magic and Prince Rama affirmed Regensburg’s versatility as a fiercely engaging performer.
    Moon Bounce’s first full-length LP, Clean House, returning to his Grind Select label, showcases the most exposed Regensburg’s songwriting has ever been. Songs like “Drugs” and “Empty Hole” put his voice more prominently in the forefront, as he reconciles serious relationships in his life with relatable neuroses. His most pristine sounding work, the record could not have been made by anyone but Regensburg, the obtuse rhythms, infectious melodies, twists and turns all integral parts of the Moon Bounce universe.
    With his recent signing to Domino Publishing and a collection of concise and freaky new material on the horizon, you can expect anything but the expected.

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    Oli Barton-Wood

    Posted on 20 May 2020

    Oli is a freelance music producer, recording & mix engineer living in London. He works from his studio in Peckham and mix room at The Premises Studios in Hoxton. From working in house at RAK studios, Oli went on to engineer for producer Jim Abbiss before going freelance as a producer/writer. He is published by Domino, has 100m+ streams on his work and enjoys working on jazz, east African and Latin music alongside alternative pop.

    Production – Nilüfer Yanya, Obongjayar, Rachel Ch...

    Oli is a freelance music producer, recording & mix engineer living in London. He works from his studio in Peckham and mix room at The Premises Studios in Hoxton. From working in house at RAK studios, Oli went on to engineer for producer Jim Abbiss before going freelance as a producer/writer. He is published by Domino, has 100m+ streams on his work and enjoys working on jazz, east African and Latin music alongside alternative pop.

    Production – Nilüfer Yanya, Obongjayar, Rachel Chinouriri, Molly Payton, Mellah, Lizzie Reid, Sorry

    Writing – Nilüfer Yanya, JONES, Obongjayar, Molly Payton, Shrink

    Mixing – Tom Odell, Celeste, Porridge Radio, Shame, Joe Armon-Jones, Declan McKenna, Wu-Lu, Eliza

    Engineering – Michael Kiwanuka, Black Midi, Tom Odell, Eliza, Blaenavon, Jamie Lawson, HMLTD

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    PEEL

    Posted on 25 January 2024

    Peel is the musical partnership of Sean Cimino and Isom Innis; both multi-instrumentalists, as well as a visual artist and producer respectively.  The project was born from a month-long recording session between the two artists within Innis’s concrete loft, above the Orpheum Theatre in downtown Los Angeles.  Naturally, the cavernous space served as an industrial incubator for musical experimentation: where fleets of sewing machines once reverberated in the 1930s with metallic rhythms, no...

    Peel is the musical partnership of Sean Cimino and Isom Innis; both multi-instrumentalists, as well as a visual artist and producer respectively.  The project was born from a month-long recording session between the two artists within Innis’s concrete loft, above the Orpheum Theatre in downtown Los Angeles.  Naturally, the cavernous space served as an industrial incubator for musical experimentation: where fleets of sewing machines once reverberated in the 1930s with metallic rhythms, now echoed the sounds of drums, amps, and modular synthesizers.

    From the very beginning, a creative process was developed. Cimino would loop guitar and synths while Innis introduced drums and additional synthetic textures: “It was important for us to play everything without edits, limiting ourselves to a few selected elements.  We are obsessed with records like Second Edition [Public Image Ltd.] and The Pleasure Principle [Gary Numan]; records where spirit and improvisation guided expression. We wanted to create a ‘wall-of-sound’ between the two of us…” says Innis.

    After the two were satisfied with an instrumental take, a vocal performance was captured with a Shure SM7 microphone, often with lyrics deriving from a stream-of consciousness, as in the duo’s first single ROM-COM—a chaotic and cyclical information spiral, finding its existential footing in the modern age. “For me, when I listen to percussive music, the groove becomes hypnotic and it’s an ego-killer in the best way. It takes me out of my head and into a moment…” says Cimino.

    Peel is as much a visual project as it is a sonic one. Enlisting the aid of graphic designer and art director Taylor Giali, the duo is documented through arrays of photographs and hazy analogue-video; manufacturing a familiar yet distinct visual language. “Similar to [Andy Warhol’s] ‘The Factory’ or Claes Oldenburg’s ‘Store’, we agreed early on to question the traditional ideas of production and consumption while leaving plenty of room for ideas to develop, pivot, or even end up in the garbage bin to be fished out later…” says Giali

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    Raf Rundell

    Posted on 20 May 2020

    Raf Rundell is one half of the 2 Bears and something of an ambassador for some of the country’s very best parties. His mini album The Adventures of Selfie Boy Part 1 received rave reviews on release in 2016 (“his solo debut feels like the start of something substantial… Rundell is a big-hearted character with a gravelly voice, whose uplifting songs tend to be riven with small-hours self-doubt” 8/10 Uncut).

    Last seen a couple of years back on his debut long-player Stop Lying, Raf Run...

    Raf Rundell is one half of the 2 Bears and something of an ambassador for some of the country’s very best parties. His mini album The Adventures of Selfie Boy Part 1 received rave reviews on release in 2016 (“his solo debut feels like the start of something substantial… Rundell is a big-hearted character with a gravelly voice, whose uplifting songs tend to be riven with small-hours self-doubt” 8/10 Uncut).

    Last seen a couple of years back on his debut long-player Stop Lying, Raf Rundell emerges from his Forest Hill bunker with Monsterpiece, a joyful, larger than life, good-time party anthem.

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    Rafiq Bhatia

    Posted on 28 October 2020

    New York composer and guitarist Rafiq Bhatia seeks to shatter preconceptions about how much can be said without a word-and, for that matter, who can say it. His music has been described by the New York Times as “one of the most intriguing figures in music today.” In 2014, Bhatia became a member of the band Son Lux. 

    Ragz Originale

    Posted on 20 May 2020

    Ragz Originale is a dynamic and eclectic producer capable of turning his hand to any genre, Ragz Originale’s Nature showcases his smooth and downtempo style, with album opener ‘Summer Blues’ seeing Ragz reminisce over a nostalgic trip to a sombre season. Packed with Ragz’s soulful harmonies, the artist adopts a more upbeat style on ‘Proof Read’, with tracks like ‘Disaronno Straight’ focusing on more hard-hitting subjects, serving as a mantra for his “mission to create” by ...

    Ragz Originale is a dynamic and eclectic producer capable of turning his hand to any genre, Ragz Originale’s Nature showcases his smooth and downtempo style, with album opener ‘Summer Blues’ seeing Ragz reminisce over a nostalgic trip to a sombre season. Packed with Ragz’s soulful harmonies, the artist adopts a more upbeat style on ‘Proof Read’, with tracks like ‘Disaronno Straight’ focusing on more hard-hitting subjects, serving as a mantra for his “mission to create” by any means necessary, despite moments of existential crises and relatable questioning of life choices.

    Responsible for production and co-writing duties on Skepta’s certified gold album Konnichiwa – with credits on ‘Shutdown’ and ‘Text Me Back’ – Ragz has quickly developed a reputation as an innovative and creative producer, receiving a wealth of support from the likes of Benji B, Charlie Sloth, Ras Kwame and Julie Adenuga.

    Beginning his career in 2013, recording his own music via his bedroom studio, Ragz was influenced by the grime scene as a youngster, and soon became the mastermind behind the culture-shifting ‘Shutdown’, a global smash which achieved gold certification in the UK. Popping up with vocals on Oscar #Worldpeace’s ‘That’s Alright’, Ragz Originale continues his journey into 2018 and beyond, cementing his reputation as one of the most vibrant talents on the scene, producing for the likes of Giggs and Dej Loaf.

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    Ryan Lott

    Posted on 29 October 2020

    Ryan Lott is a composer, producer, and performer. In 2007, Ryan founded Son Lux and in 2014, Son Lux became a trio, both live and on record, with the additions of guitarist-composer Rafiq Bhatia and drummer Ian Chang. Their latest studio release is an album trilogy called Tomorrows, released in full in 2021. As a band, Son Lux scored the 2023 Best Picture Winner Everything Everywhere All at Once, which earned them a BAFTA and Academy Award nomination, with a second Academy Award nomination fo...

    Ryan Lott is a composer, producer, and performer. In 2007, Ryan founded Son Lux and in 2014, Son Lux became a trio, both live and on record, with the additions of guitarist-composer Rafiq Bhatia and drummer Ian Chang. Their latest studio release is an album trilogy called Tomorrows, released in full in 2021. As a band, Son Lux scored the 2023 Best Picture Winner Everything Everywhere All at Once, which earned them a BAFTA and Academy Award nomination, with a second Academy Award nomination for their end-credit song collaboration with Mitski and David Byrne.

    An avid collaborator in dance, Lott has worked with choreographers Stephen Petronio, Gina Gibney, Kyle Abraham, and Jodie Gates, along with companies The Royal Ballet, Ballet de Lorraine, National Dance Company of Wales, and BalletX. His feature film scores include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017), and arrangements for several others, most notably the iconic sci-fi film Looper (2012), for which Ryan was also pianist and instrument designer.

    He is frequently commissioned by new music ensembles, including eighth blackbird (Lott contributed to their GRAMMY-winning 2015 release Filament), GRAMMY winners Third Coast Percussion, and yMusic, who enlisted Lott to compose their entire 2017 release First. Other commissions include an arrangement of “Peace Like A River” for Paul Simon, and a new orchestral work, “The Swift & the Storm,” for the Royal Concertgebouw Orchestra.

    IMDb

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    Sean Oakley

    Posted on 05 June 2020

    Producer / Songwriter / Mixer / Engineer / Astronaut / Swimsuit Model / Karate Champion

    Slumberjunkie

    Posted on 06 February 2024

    Slumberjunkie is the project of Somerset-born, London-based Jed Hampson. Using both bases as a constant source of inspiration, teenage years in the West Country attending drum n bass and dubstep free parties evolved into the club-centric London nightlife.

    Slumberjunkie is the culmination of over 15 years of writing and recording under various different aliases, with his distinctive style marrying jungle and bass music with the ethereal soundscapes of artists such as Cocteau Twins. Recent supp...

    Slumberjunkie is the project of Somerset-born, London-based Jed Hampson. Using both bases as a constant source of inspiration, teenage years in the West Country attending drum n bass and dubstep free parties evolved into the club-centric London nightlife.

    Slumberjunkie is the culmination of over 15 years of writing and recording under various different aliases, with his distinctive style marrying jungle and bass music with the ethereal soundscapes of artists such as Cocteau Twins. Recent support has come from the likes of Gilles Peterson on BBC 6 Music, Bandcamp’s New & Notable section and Ransom Note which features a fast & furious DJ mix and interview.

    His releases on Silver Bear, Ratface Records and Technical Glitch show that he focuses heavily on the fast and the melancholy, which is further explored on his monthly AAJA Radio slot.

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    Sydney Minsky Sargeant

    Posted on 06 December 2023

    Sydney Minsky Sargeant is a Yorkshire based singer-songwriter, composer and producer, also the mind behind the band – Working Men’s Club.

    Thomas Bartlett

    Posted on 20 May 2020

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny...

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny of Oldstones”. He has released four solo albums as Doveman, four albums as a member of the acclaimed Irish band The Gloaming, and duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh.

    Bartlett, who was born and raised in Putney, Vermont, studied piano as a teenager in London with the legendary teacher Maria Curcio, and has lived in New York City since 2000.

    IMDb

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    Visuals (Andrew Fox)

    Posted on 20 May 2020

    A singular songwriter and producer from New York City, Andrew Fox is a mercurial and versatile artist whose diverse body of work represents his distinctly surreal, cinematic sensibility. 

    After several releases on art-house electronic labels  as VISUALS (Nicolas Jaar’s Other People, Bruno Pronsato’s The Song Says), in 2019 Fox dropped the pseudonymous handle to release his 2019 LP Shock By Shock under his own name.  Taking cues from David Bowie’s Young Americans and Shuggie Otis’...

    A singular songwriter and producer from New York City, Andrew Fox is a mercurial and versatile artist whose diverse body of work represents his distinctly surreal, cinematic sensibility. 

    After several releases on art-house electronic labels  as VISUALS (Nicolas Jaar’s Other People, Bruno Pronsato’s The Song Says), in 2019 Fox dropped the pseudonymous handle to release his 2019 LP Shock By Shock under his own name.  Taking cues from David Bowie’s Young Americans and Shuggie Otis’ classic Inspiration Information, Fox’s debut self-titled album is a ‘psychedellic cross country road trip through the mind’.  

    After a stint writing new material in Mexico City, Andrew Fox returned to the music scene in 2020 with “Only Now” – an uplifiting, cosmic fusion of his dancefloor days in Europe as VISUALS, and the widescreen production and songwriting flourish of Shock By Shock, released by Brooklyn based label House of Feelings.

    As a writer, he contributed to Liam Gallagher’s (Oasis) 2017 hit “Wall of Glass”, which became the top selling vinyl single in the UK.  He has worked with various artists as a producer and mixer, including Innov Gnawa, Lights Flourescent, and Ang Low.  As an instrumentalist, Fox tours internationally with The Dave Harrington Group.

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    Wayward

    Posted on 05 June 2020

    London based duo, Wayward have gained some serious steam in recent years. They’ve co-crafted cuts for artists across a spectrum of genres. From studio sessions with Grammy-winning creative giant Skrillex, to Ninja Tune’s Park Hye Jin, and alt-indie enigma Chelou. Firmly establishing themselves as broad respected producers. Releases have come through Fort Romeau’s Cin Cin Records and Australian-based Beats Of No Nation and Silver Bear’s recent catalogue is the work of the disce...

    London based duo, Wayward have gained some serious steam in recent years. They’ve co-crafted cuts for artists across a spectrum of genres. From studio sessions with Grammy-winning creative giant Skrillex, to Ninja Tune’s Park Hye Jin, and alt-indie enigma Chelou. Firmly establishing themselves as broad respected producers. Releases have come through Fort Romeau’s Cin Cin Records and Australian-based Beats Of No Nation and Silver Bear’s recent catalogue is the work of the discerning duo as they have taken the helm as A&Rs, a label for tastemakers alike.

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    Wilma Archer

    Posted on 20 May 2020

    Wilma Archer (nee Will Archer) is a London-based writer, producer, composer and performer who has been creating and releasing music in various forms since his early teens. Signed to Domino Recordings, he’s released two solo records, one under the name Slime and a second as Wilma Archer. Outside of his own work, Archer has proven himself an active collaborator, working with a range of artists including MF Doom, Sudan Archives, Sam T. Herring of Future Islands, Jessie Ware & Celeste, alon...

    Wilma Archer (nee Will Archer) is a London-based writer, producer, composer and performer who has been creating and releasing music in various forms since his early teens. Signed to Domino Recordings, he’s released two solo records, one under the name Slime and a second as Wilma Archer. Outside of his own work, Archer has proven himself an active collaborator, working with a range of artists including MF Doom, Sudan Archives, Sam T. Herring of Future Islands, Jessie Ware & Celeste, alongside working extensively on all three Nilufer Yanya albums as writer and producer, and making two records with former Odd Future member Pyramid Vitra as Wilma Vitra.

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    This blog is designed to assist in navigating our sea of artists for media music searches across the Domino roster. If you have any comments or queries please contact us.

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