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    Adrian Crowley

    Posted on 20 May 2020
    Adrian Crowley is a Dublin-based singer/songwriter with an introspective, moody tone. Crowley’s music is steeped in the folk traditions of the 1970s, calling to mind storytelling songwriters such as Leonard Cohen and Nick Drake, with a strong, often central emphasis on lyrics. Increasingly as his career has progressed, his sound has incorporated electronic music; this influence has been reinforced by his ongoing relationship with producer Stephen Shannon of Dublin “folktronica” act H...
    Adrian Crowley is a Dublin-based singer/songwriter with an introspective, moody tone. Crowley’s music is steeped in the folk traditions of the 1970s, calling to mind storytelling songwriters such as Leonard Cohen and Nick Drake, with a strong, often central emphasis on lyrics. Increasingly as his career has progressed, his sound has incorporated electronic music; this influence has been reinforced by his ongoing relationship with producer Stephen Shannon of Dublin “folktronica” act Halfset, while his reputation as a multi-instrumentalist has led him to employ a vast array of acoustic instruments and guitar pedals.
    Season of the Sparks was released by Tin Angel in Ireland in April of 2009 and won the Choice Music Prize -– Ireland’s Album of the Year Award. His follow-up, I See Three Birds Flying, was issued in September of 2012. May of 2013 saw the release of The Invaders Salute Captain America, a collaboration with James Yorkston in tribute to, and featuring the songs of, underground U.S. songwriter Daniel Johnston. After the pair played a series of shows, Crowley spent the remainder of the year playing his own gigs and writing new songs. His next album, Some Blue Morning, with contributions from the London string ensemble Geese, cellist Kevin Murphy, and singer Katie Kim, was released in November of 2014. Teaming up with American producer Thomas Bartlett (Magnetic Fields, Sufjan Stevens), Crowley’s next release ‘Dark Eyed Messenger was unusual in that it was recorded entirely without his primary instrument, the guitar.

    2021 sees Crowley releasing his ninth studio album ‘The Watchful Eye of the Stars’ produced by John Parish (Aldous Harding, PJ Harvey) and recorded in between both the studio and Crowley’s home. Featuring members of Crash Ensemble, Jim Barr of Portishead contributing double bass and engineering, Nadine Khouri and Katell Keineg who feature as guest backing singers on the record.

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    Anna Calvi

    Posted on 20 May 2020

    Calvi has been revered in the British music industry since she emerged in 2011, a soulful songwriter, virtuosic guitarist and captivating performer. Both her self-titled debut album and the 2013 follow-up One Breath were nominated for the Mercury Music Prize, with her debut also receiving a Brit nomination for ‘Best Breakthrough Artist’. She’s collaborated with Brian Eno, Marianne Faithful and, on the 2014 covers EP Strange Weather, David Byrne. In 2017, she composed the music for T...

    Calvi has been revered in the British music industry since she emerged in 2011, a soulful songwriter, virtuosic guitarist and captivating performer. Both her self-titled debut album and the 2013 follow-up One Breath were nominated for the Mercury Music Prize, with her debut also receiving a Brit nomination for ‘Best Breakthrough Artist’. She’s collaborated with Brian Eno, Marianne Faithful and, on the 2014 covers EP Strange Weather, David Byrne. In 2017, she composed the music for The Sandman, an opera directed by Robert Wilson. In 2018, Calvi returned with her Mercury Prize nominated third studio album ‘Hunter‘. Produced by Nick Launay (Nick Cave, Grinderman) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. Anna Calvi has composed and performed the score for season five of BBC television drama ‘Peaky Blinders’.

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    Austin Brown

    Posted on 30 August 2022

    Austin Brown is a founder member of critically-acclaimed New York band Parquet Courts, and one of the key creative driving forces behind the group’s ever evolving sound over the last 10 years. Their most recent release – 2021’s Sympathy For Life – offered a new twist, incorporating dance elements drawn from the long, illustrious history of Big Apple nightlife.

    Brown has always maintained a multi-faceted approach to making music and began to explore his long-standing interest in writin...

    Austin Brown is a founder member of critically-acclaimed New York band Parquet Courts, and one of the key creative driving forces behind the group’s ever evolving sound over the last 10 years. Their most recent release – 2021’s Sympathy For Life – offered a new twist, incorporating dance elements drawn from the long, illustrious history of Big Apple nightlife.

    Brown has always maintained a multi-faceted approach to making music and began to explore his long-standing interest in writing for picture when he wrote the original score to the 2020 film PVT Chat. A dark, debut feature by director Ben Hozie, the movie starred Julia Fox (break out star of Uncut Gems) and perfectly showcased Brown’s use and control of atmospherics. He’s currently working on new projects in this area which are set to see the light of day very soon.

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    Bill Ryder-Jones

    Posted on 20 May 2020

    While some records are laboured with full stops, some are born from a hypothetical If… Bill Ryder-Jones’ first solo album is one such record.

    Written as a tribute to a cult novel and recorded as a film soundtrack, If… is never all that is seems. Inspired by Italian avant-garde author Italo Calvino’s postmodernist novel If On A Winter’s Night A Traveller, Ryder Jones’ masterfully-woven soundscape asks the question that few musicians dare to: how do you sustain the magic?

    “The boo...

    While some records are laboured with full stops, some are born from a hypothetical If… Bill Ryder-Jones’ first solo album is one such record.

    Written as a tribute to a cult novel and recorded as a film soundtrack, If… is never all that is seems. Inspired by Italian avant-garde author Italo Calvino’s postmodernist novel If On A Winter’s Night A Traveller, Ryder Jones’ masterfully-woven soundscape asks the question that few musicians dare to: how do you sustain the magic?

    “The book was given to me at an important part of my life and really sums up a period for me,” Bill reveals. “I guess the theme that’s central to the novel is something I’d always felt but never really summed up myself. It talks about influence and inspiration and how it’s often the initial burst that really gets you and after that it’s all downhill.

    “With music it’s the way a song hits you first time that’s important and how once you learn the chords, then it loses its magic. The hardest part is learning how to maintain that ambiguity in something that has to have a definite ending.”

    The quest for ambiguity is an apt one for Bill Ryder-Jones, whose musical career began in 1996 when he joined forces to become 1/6 of psychedelic folk-rockers The Coral. The band quickly courted feverish attention from fans, critics and fellow musicians alike (Noel Gallagher regularly saluted Bill as one of his favourite guitarists and Graham Coxon is considered both friend and collaborator). Though Ryder-Jones left the band soon after the release of their fifth studio album Roots & Echoes in 2007, his arrangements on the record indicated a promising talent for instrumentation – most notably his John Barry-style string arrangements on the track ‘Music At Night’, which spectacularly captured the spirit of a host of sixties screen classics.

    If Roots & Echoes was the precursor, then If… is most certainly its successor. Taking its cue from Abel Korzeniowski’s off-kilter soundtrack for Tom Ford’s acclaimed film A Single Man, If…’s influences are eclectic and diverse. From modern cinema composers like Michael Galasso (Seraphine) and Clint Mansell (The Wrestler, Black Swan) to psychedelic sorcerer Syd Barrett, Nick Cave and nineties Welsh indie-psych disciples Gorky’s Zygotic Mynci. Speaking of the latter, Bill reflects, “they’re the band I relate to more than any other I think. Where I grew up looks out to Wales, so listening to their songs really reminds me of my childhood.”

    The record’s production was equally inclusive as musicians, friends, parents and even the Liverpool Philharmonic pulled together to make If… a reality. Such was the display of affection for the record that the recording process was relatively painless. As Bill puts it: “it was lovely seeing just how many people were keen to be involved.”

    And as for production: “There’s a not a lot of that…” In Fact, If… was batted around all over Bill’s home town of Liverpool looking for shelter: “A few bits in my mum’s house, some in Elevator Studios, some in the Scandinavian church in Liverpool and some in the friary in Everton Valley.” Whilst the non-instrumental tracks were laid down in Liverpool’s Grade II listed warehouse Elevator Studios, the Liverpool Philharmonic settled under the protective rafters of the Friary, Everton. There, title track ‘If…’ took shape alongside fellow instrumentals ‘The Reader (Malbork)’, ‘Enlace’, ‘The Flowers #3 (Lotus)’ and ‘Give Me A Name.’

    The leap from lead guitarist to instrumental composer has been a challenging one and Bill is quick to admit that the road hasn’t always been easy. Yet with Italo Calvino’s novel providing him will the necessary markers and signposts, the album’s pulse soon developed a natural rhythm of its own making.

    As Ryder-Jones explains: “I tried to balance it out in the start, tried to make it true to the idea but make sense to people who aren’t fussed about the concept. In the end I thought, fuck it, I’ll just make it how I like and it’ll make sense to me.

    “I ended up writing a couple of tracks for each chapter and picking my favourite. It was pretty simple. Once I’d decided to not really care about how the album flows it was easy.”

    Just don’t ask Bill for his favourite track – his opinion changes on a regular basis. At the time of writing ”’The Reader (Malbork)’ is the one I enjoy listening to most. There’s a track called ‘Give Me A Name’ that I’m proud of too. I love it all really…”

    In this respect, If… exists as a living, breathing record in its entirety. The quest for singles is a futile one. Where the record truly captures the listener’s ears is in its effortless ambiguity. And so we finish where we began…

    With his first solo composition unleashed, thoughts now turn to his next two projects. And what better way to counteract the naturalism of If… than with a soundtrack for a psychological revenge thriller entitled ‘Piggy’? As for “the other one”, Ryder-Jones remains tight-lipped. But rest assured “both read brilliantly and I’m really, really excited.”

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    Coby Sey

    Posted on 04 May 2021

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, meld...

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, melding sounds and space with introspective lyrics. Sey’s open-door approach to sharing and making music stretches to his work with London Contemporary Orchestra – with CURL the collective he founded with Mica Levi and Brother May – and a regular slot on NTS Radio which offers a portal into his appealingly murky musical world.

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    Emily Barker

    Posted on 20 May 2020

    Emily Barker is an award-winning singer-songwriter, best known as the writer and performer of the theme to the BBC’s hugely successful crime drama Wallander starring Kenneth Branagh. She has released music as a solo artist as well as with various bands including The Red Clay Halo, Vena Portae and Applewood Road (with whom she released a remarkable album of original songs recorded live around a single microphone, dubbed “flawless” by The Sunday Times) and has written for film, including ...

    Emily Barker is an award-winning singer-songwriter, best known as the writer and performer of the theme to the BBC’s hugely successful crime drama Wallander starring Kenneth Branagh. She has released music as a solo artist as well as with various bands including The Red Clay Halo, Vena Portae and Applewood Road (with whom she released a remarkable album of original songs recorded live around a single microphone, dubbed “flawless” by The Sunday Times) and has written for film, including composing the soundtrack for Jake Gavin’s lauded debut feature Hector starring Peter Mullan and Keith Allen.

    As a performer, Barker is captivating and accomplished, with an adept understanding of audiences that finds her equally at home touring with punk troubadour Frank Turner as she is with American multi-Grammy-winning musician Mary Chapin Carpenter.

    Most recently, Barker has released an album of collaborations with English folk legend Marry Waterson. A Window to Other Ways is out now on One Little Indian Records.

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    Haiku Salut

    Posted on 30 November 2021

    Haiku Salut are an instrumental dream-pop-post-folk-neo-everything trio from the Derbyshire Dales. The group consists of multi-instrumentalists Gemma Barkerwood, Sophie Barkerwood, and Louise Croft. Between them, Haiku Salut play accordion, piano, glockenspiel, trumpet, guitar, ukulele, drums, and melodica. Their music also features electronic elements, which they refer to as “loopery and laptopery”.

    Ian Chang

    Posted on 20 May 2020

    Bringing electronic music to the physical realm, genre-bending drummer Ian Chang is an acclaimed drumming virtuoso known for his work in Son Lux and Landlady, Chang uses his kit to control and manipulate samples resulting in a seamless synthesis of raw performative intensity and sophisticated sound design.

    Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for 10 years, he built an impressive roster of progressive pop collaborators such as Moses...

    Bringing electronic music to the physical realm, genre-bending drummer Ian Chang is an acclaimed drumming virtuoso known for his work in Son Lux and Landlady, Chang uses his kit to control and manipulate samples resulting in a seamless synthesis of raw performative intensity and sophisticated sound design.

    Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for 10 years, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Police Woman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Now relocated to Dallas, Texas, Chang’s discovered an inquisitive confidence that can only come from newfound isolation. Between tours, he dedicated himself to developing his international musical language, facilitated by a home studio and a burgeoning relationship.

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    Joe Wong

    Posted on 20 May 2020

    Los Angeles based multi-instrumentalist, podcast host (The Trap Set) and composer Joe Wong (“Master of None”, “Russian Doll”, “The Midnight Gospel”, “Ugly Delicious”, “Awkwafina is Nora From Queens” is newly signed to Decca Records for his debut solo record, Nite Creatures. Nite Creatures is a collection of 10 baroque, ruminative, songs that evoke the psychedelic heyday of the legendary UK-based Decca label, living in the pops and crackles between the Summer of Love and th...

    Los Angeles based multi-instrumentalist, podcast host (The Trap Set) and composer Joe Wong (“Master of None”, “Russian Doll”, “The Midnight Gospel”, “Ugly Delicious”, “Awkwafina is Nora From Queens” is newly signed to Decca Records for his debut solo record, Nite Creatures. Nite Creatures is a collection of 10 baroque, ruminative, songs that evoke the psychedelic heyday of the legendary UK-based Decca label, living in the pops and crackles between the Summer of Love and the start of the Seventies – the acid-tinged era of Scott Walker, Marianne Faithfull, Love, the Zombies and Fairport Convention.

    COMPOSER CREDITS

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    Julia Holter

    Posted on 20 May 2020

    The common thread running through the Julia Holter discography is
    her fearless individuality. The Los Angeles-based composer has amassed a body
    of work that explores song structure, atmosphere, minimalism and the authority
    of her voice.

    The double album Aviary is epic in scale, moving through the chamber
    pieces with which she has made her reputation to moments of drama and
    orchestration on an epic scale.

     

    IMDb

    Luke Abbott

    Posted on 20 May 2020

    The success of his 2010 debut album Holkham Drones was something of a dream induction into the world of professional music-making for Luke Abbott. The “game changing electronic opus” stood out as “far and away one of Drowned in Sound‘s favourite records of 2010” and landed in Mojo‘s ‘Electronica Albums of 2010’ list, amongst wide-spread critical acclaim. It wasn’t just about 2010 though; far beyond its initial release Holkham Drones has continued to win over convert upon con...

    The success of his 2010 debut album Holkham Drones was something of a dream induction into the world of professional music-making for Luke Abbott. The “game changing electronic opus” stood out as “far and away one of Drowned in Sound‘s favourite records of 2010” and landed in Mojo‘s ‘Electronica Albums of 2010’ list, amongst wide-spread critical acclaim. It wasn’t just about 2010 though; far beyond its initial release Holkham Drones has continued to win over convert upon convert. Its joyous arpeggios and rolling primal rhythms seduced wherever they were heard, spawning a string of EPs (Object is Navigator and Modern Driveway for Gold Panda‘s label NOTOWN) and sustaining an accompanying live touring schedule that has kept Luke and his handcrafted hardware-jams rumbling across the clubs, gigs and festivals of Europe throughout the intervening years. Four years on, his second full length album Wysing Forest (due out 23 June 2014 via Border Community) is named after the Wysing Arts Centre in Cambridgeshire where, over a six week period in 2012 as their first ever musician-in-residence, Luke recorded what would later become the album.

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    Mike Lindsay

    Posted on 05 June 2020

    Mercury Music Prize winning producer, Mike Lindsay is best known for being the co-founder, composer and producer of UK experimental folk band Tunng and one half of the band LUMP with Laura Marling. Mike has co-written and produced many albums for Speech Debelle, Jon Hopkins, Gotan Project, Farao, DuBlonde, Low Roar, Jae Tyler, Beth Jeans Houghton, Serafina Steer, Hannah Peel, Cibelle and Laura J Martin.

    IMDb

    Nathan Micay

    Posted on 20 May 2020

    In Spring 2019, Toronto-born, Berlin-based DJ and producer Nathan Micay (formerly Bwana) will release his highly anticipated debut album, ‘Blue Spring’, via LuckyMe. The impeccable craft found in the huge past anthems that fuelled his rise is still present, but Micay has upped his own ante; a prodigious and natural creator, this is his best work yet. Highly melodic with complex but spacious sound design, this inspired work is a technicolour ride across sub bass, celestial future breakbeat,...

    In Spring 2019, Toronto-born, Berlin-based DJ and producer Nathan Micay (formerly Bwana) will release his highly anticipated debut album, ‘Blue Spring’, via LuckyMe. The impeccable craft found in the huge past anthems that fuelled his rise is still present, but Micay has upped his own ante; a prodigious and natural creator, this is his best work yet. Highly melodic with complex but spacious sound design, this inspired work is a technicolour ride across sub bass, celestial future breakbeat, drum-roll-fuelled dancefloor rollercoasters, soaring euphoria, otherworldly soundscapes, weightless sino and even a bit of ¾ time. Micay has found a sweet-spot between prog, trance, techno, hardcore, jungle, IDM and ambient, in a renewed twist on the magic mix that birthed Future Sound of London’s hybrid classic ‘Accelerator’. Blue Spring explores the connections and cycles of youth and music, in times of fast change and upheaval. It takes the Castlemorton clash between ravers and authorities as its starting point, and transposes it to an imaginary world. To create the album artwork, Nathan wrote a script outline to be adapted by Peter Marsden into a comic, in turn illustrated by Dominic Flannigan. The comic sees a young data miner rebel by attending a rave in the woods with her friends, only for the event to be broken up by the ranks of a futuristic police state. ‘Blue Spring’ is the start of the revolution.

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    Oly Ralfe

    Posted on 20 May 2020

    Ralfe Band are known for infectious folk influenced songs, vivid surreal lyrics and classical and gypsy inspired instrumentals. Having released their latest album in 2010, Ralfe Band have 3 studio albums currently available through Skint Records and Talitres Records. While generating a sizablebuzz, Ralfe Band have toured across Europe and have performed at festivals in various locations such as Istanbul and Italy. Their 2010 album was recorded specifically for the feature film ‘Bunny and th...

    Ralfe Band are known for infectious folk influenced songs, vivid surreal lyrics and classical and gypsy inspired instrumentals. Having released their latest album in 2010, Ralfe Band have 3 studio albums currently available through Skint Records and Talitres Records. While generating a sizablebuzz, Ralfe Band have toured across Europe and have performed at festivals in various locations such as Istanbul and Italy. Their 2010 album was recorded specifically for the feature film ‘Bunny and the Bull’ which was directed by Paul King (dir.Paddington, The Mighty Boosh).

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    Ryan Lott

    Posted on 29 October 2020

    Ryan Lott composes music for film, theater and dance. Lott has worked with choreographers Travis Wall, Stephen Petronio and Gina Gibney. Film credits include composing and arranging for five major features, most notably The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017), which premiered at Cannes and the Toronto Film Festival 2016.

    In addition to his solo work, in 2007 Ryan founded Son Lux. Son Lux “works at the nexus of several rarely-overlapping Venn Dia...

    Ryan Lott composes music for film, theater and dance. Lott has worked with choreographers Travis Wall, Stephen Petronio and Gina Gibney. Film credits include composing and arranging for five major features, most notably The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017), which premiered at Cannes and the Toronto Film Festival 2016.

    In addition to his solo work, in 2007 Ryan founded Son Lux. Son Lux “works at the nexus of several rarely-overlapping Venn Diagrams” (Pitchfork). With the additions of guitarist-composer Rafiq Bhatia and drummer Ian Chang to the band, Son Lux is now a ferocious trio both live and on record. Their latest release Brighter Wounds, released in February 2018 on City Slang Records, documents this new venture while showcasing the band’s unique mix of electronic pop, unusual soul, and outright experimentalism.

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    Sheila Maurice-Grey

    Posted on 15 August 2022

    Sheila Maurice-Grey also know as Ms Maurice is a London Based Trumpeter, Vocalist and Visual Artist.

    Sheila brings her melange of influences from organic grooves infused with 70s jazz and a touch of West African sonic seasoning. These sounds are heavily influenced by her London upbringing.

    Central to Sheila’s music, is stimulated by her visual art practice where she aims to question her ‘identity’ as well as what it means ‘to misrepresent vs to be misrepresented.’ Her art provocativ...

    Sheila Maurice-Grey also know as Ms Maurice is a London Based Trumpeter, Vocalist and Visual Artist.

    Sheila brings her melange of influences from organic grooves infused with 70s jazz and a touch of West African sonic seasoning. These sounds are heavily influenced by her London upbringing.

    Central to Sheila’s music, is stimulated by her visual art practice where she aims to question her ‘identity’ as well as what it means ‘to misrepresent vs to be misrepresented.’ Her art provocatively explores the notion of ‘blackness’ and the hyper sexualisation of the black female body throughout history since the early 1800’s. In particular she is interested in the visual history and facts known about ‘Blackface Minstrelsy’ and ‘The Hottentot Venus – Sarah Bartmann.’

    Sheila is also bandleader of KOKOROKO and plays with jazz septet Nérija, who were nominated for Jazz Fm Breakthrough Act 2016 and Parliamentary Jazz Newcomer of Year 2017 winner. She has performed with the likes of SOLANGE, KANO on the ‘Jool’s Holland Show’ and ‘The Mercury Prize 2016,’ and features on Little SIMZ’s album ‘Stillness in Wonderland.’

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    Stereolab

    Posted on 20 May 2020

    After forming in 1990, Tim Gane, Laetitia Sadier, Simon Johns, Joseph Watson and Julien Gasc dedicated their time to creating alternative rock music, often likened to such artists as The Velvet Underground, Sonic Youth and My Bloody Valentine. Being signed to Duophonic/Elektra for nearly the whole of their active years, Stereolab released 10 studio albums, the latest being released after their disbanding in 2010, going by the name ‘Not Music’ and consisting of previously unreleased materi...

    After forming in 1990, Tim Gane, Laetitia Sadier, Simon Johns, Joseph Watson and Julien Gasc dedicated their time to creating alternative rock music, often likened to such artists as The Velvet Underground, Sonic Youth and My Bloody Valentine. Being signed to Duophonic/Elektra for nearly the whole of their active years, Stereolab released 10 studio albums, the latest being released after their disbanding in 2010, going by the name ‘Not Music’ and consisting of previously unreleased material. In 2009 Stereolab announced that they would be going on a period of ‘indefinite hiatus’.

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    Steve Mason

    Posted on 20 May 2020

    Once a founding member of The Beta Band, Steve Mason is now best
    known as an artist with a rare melodic gift and an urge to experiment. From his
    debut solo album, the elegantly melancholy Boys Outside, to his latest release About
    The Light, Mason has never taken a step back, continually investigating where
    the boundaries between the craft of song writing, technology and free
    expression meet.

    Thomas Bartlett

    Posted on 20 May 2020

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny...

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny of Oldstones”. He has released four solo albums as Doveman, four albums as a member of the acclaimed Irish band The Gloaming, and duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh.

    Bartlett, who was born and raised in Putney, Vermont, studied piano as a teenager in London with the legendary teacher Maria Curcio, and has lived in New York City since 2000.

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    This blog is designed to assist in navigating our sea of artists for media music searches across the Domino roster. If you have any comments or queries please contact us.

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