Listen on Spotify
    Now playing
    License our music
    00:00
    • About
    • Listen
    • Writers
    • Writer Services
    • Film + TV
    • Gigs
    • License our music
    • News
    Menu Close

    Music for Film + TV

    Blog Roster Playlists Schedule Work Play Helpful Guides

    Adrian Crowley

    Posted on 20 May 2020
    Adrian Crowley is a Dublin-based singer/songwriter with an introspective, moody tone. Crowley’s music is steeped in the folk traditions of the 1970s, calling to mind storytelling songwriters such as Leonard Cohen and Nick Drake, with a strong, often central emphasis on lyrics. Increasingly as his career has progressed, his sound has incorporated electronic music; this influence has been reinforced by his ongoing relationship with producer Stephen Shannon of Dublin “folktronica” act H...
    Adrian Crowley is a Dublin-based singer/songwriter with an introspective, moody tone. Crowley’s music is steeped in the folk traditions of the 1970s, calling to mind storytelling songwriters such as Leonard Cohen and Nick Drake, with a strong, often central emphasis on lyrics. Increasingly as his career has progressed, his sound has incorporated electronic music; this influence has been reinforced by his ongoing relationship with producer Stephen Shannon of Dublin “folktronica” act Halfset, while his reputation as a multi-instrumentalist has led him to employ a vast array of acoustic instruments and guitar pedals.
    Season of the Sparks was released by Tin Angel in Ireland in April of 2009 and won the Choice Music Prize -– Ireland’s Album of the Year Award. His follow-up, I See Three Birds Flying, was issued in September of 2012. May of 2013 saw the release of The Invaders Salute Captain America, a collaboration with James Yorkston in tribute to, and featuring the songs of, underground U.S. songwriter Daniel Johnston. After the pair played a series of shows, Crowley spent the remainder of the year playing his own gigs and writing new songs. His next album, Some Blue Morning, with contributions from the London string ensemble Geese, cellist Kevin Murphy, and singer Katie Kim, was released in November of 2014. Teaming up with American producer Thomas Bartlett (Magnetic Fields, Sufjan Stevens), Crowley’s next release ‘Dark Eyed Messenger was unusual in that it was recorded entirely without his primary instrument, the guitar.

    2021 sees Crowley releasing his ninth studio album ‘The Watchful Eye of the Stars’ produced by John Parish (Aldous Harding, PJ Harvey) and recorded in between both the studio and Crowley’s home. Featuring members of Crash Ensemble, Jim Barr of Portishead contributing double bass and engineering, Nadine Khouri and Katell Keineg who feature as guest backing singers on the record.

    Read moreless

    Austin Brown

    Posted on 30 August 2022

    Austin Brown is a founder member of critically-acclaimed New York band Parquet Courts, and one of the key creative driving forces behind the group’s ever evolving sound over the last 10 years. Their most recent release – 2021’s Sympathy For Life – offered a new twist, incorporating dance elements drawn from the long, illustrious history of Big Apple nightlife.

    Brown has always maintained a multi-faceted approach to making music and began to explore his long-standing interest in writin...

    Austin Brown is a founder member of critically-acclaimed New York band Parquet Courts, and one of the key creative driving forces behind the group’s ever evolving sound over the last 10 years. Their most recent release – 2021’s Sympathy For Life – offered a new twist, incorporating dance elements drawn from the long, illustrious history of Big Apple nightlife.

    Brown has always maintained a multi-faceted approach to making music and began to explore his long-standing interest in writing for picture when he wrote the original score to the 2020 film PVT Chat. A dark, debut feature by director Ben Hozie, the movie starred Julia Fox (break out star of Uncut Gems) and perfectly showcased Brown’s use and control of atmospherics. He’s currently working on new projects in this area which are set to see the light of day very soon.

    Read moreless

    Bill Ryder-Jones

    Posted on 20 May 2020

    While some records are laboured with full stops, some are born from a hypothetical If… Bill Ryder-Jones’ first solo album is one such record.

    Written as a tribute to a cult novel and recorded as a film soundtrack, If… is never all that is seems. Inspired by Italian avant-garde author Italo Calvino’s postmodernist novel If On A Winter’s Night A Traveller, Ryder Jones’ masterfully-woven soundscape asks the question that few musicians dare to: how do you sustain the magic?

    “The boo...

    While some records are laboured with full stops, some are born from a hypothetical If… Bill Ryder-Jones’ first solo album is one such record.

    Written as a tribute to a cult novel and recorded as a film soundtrack, If… is never all that is seems. Inspired by Italian avant-garde author Italo Calvino’s postmodernist novel If On A Winter’s Night A Traveller, Ryder Jones’ masterfully-woven soundscape asks the question that few musicians dare to: how do you sustain the magic?

    “The book was given to me at an important part of my life and really sums up a period for me,” Bill reveals. “I guess the theme that’s central to the novel is something I’d always felt but never really summed up myself. It talks about influence and inspiration and how it’s often the initial burst that really gets you and after that it’s all downhill.

    “With music it’s the way a song hits you first time that’s important and how once you learn the chords, then it loses its magic. The hardest part is learning how to maintain that ambiguity in something that has to have a definite ending.”

    The quest for ambiguity is an apt one for Bill Ryder-Jones, whose musical career began in 1996 when he joined forces to become 1/6 of psychedelic folk-rockers The Coral. The band quickly courted feverish attention from fans, critics and fellow musicians alike (Noel Gallagher regularly saluted Bill as one of his favourite guitarists and Graham Coxon is considered both friend and collaborator). Though Ryder-Jones left the band soon after the release of their fifth studio album Roots & Echoes in 2007, his arrangements on the record indicated a promising talent for instrumentation – most notably his John Barry-style string arrangements on the track ‘Music At Night’, which spectacularly captured the spirit of a host of sixties screen classics.

    If Roots & Echoes was the precursor, then If… is most certainly its successor. Taking its cue from Abel Korzeniowski’s off-kilter soundtrack for Tom Ford’s acclaimed film A Single Man, If…’s influences are eclectic and diverse. From modern cinema composers like Michael Galasso (Seraphine) and Clint Mansell (The Wrestler, Black Swan) to psychedelic sorcerer Syd Barrett, Nick Cave and nineties Welsh indie-psych disciples Gorky’s Zygotic Mynci. Speaking of the latter, Bill reflects, “they’re the band I relate to more than any other I think. Where I grew up looks out to Wales, so listening to their songs really reminds me of my childhood.”

    The record’s production was equally inclusive as musicians, friends, parents and even the Liverpool Philharmonic pulled together to make If… a reality. Such was the display of affection for the record that the recording process was relatively painless. As Bill puts it: “it was lovely seeing just how many people were keen to be involved.”

    And as for production: “There’s a not a lot of that…” In Fact, If… was batted around all over Bill’s home town of Liverpool looking for shelter: “A few bits in my mum’s house, some in Elevator Studios, some in the Scandinavian church in Liverpool and some in the friary in Everton Valley.” Whilst the non-instrumental tracks were laid down in Liverpool’s Grade II listed warehouse Elevator Studios, the Liverpool Philharmonic settled under the protective rafters of the Friary, Everton. There, title track ‘If…’ took shape alongside fellow instrumentals ‘The Reader (Malbork)’, ‘Enlace’, ‘The Flowers #3 (Lotus)’ and ‘Give Me A Name.’

    The leap from lead guitarist to instrumental composer has been a challenging one and Bill is quick to admit that the road hasn’t always been easy. Yet with Italo Calvino’s novel providing him will the necessary markers and signposts, the album’s pulse soon developed a natural rhythm of its own making.

    As Ryder-Jones explains: “I tried to balance it out in the start, tried to make it true to the idea but make sense to people who aren’t fussed about the concept. In the end I thought, fuck it, I’ll just make it how I like and it’ll make sense to me.

    “I ended up writing a couple of tracks for each chapter and picking my favourite. It was pretty simple. Once I’d decided to not really care about how the album flows it was easy.”

    Just don’t ask Bill for his favourite track – his opinion changes on a regular basis. At the time of writing ”’The Reader (Malbork)’ is the one I enjoy listening to most. There’s a track called ‘Give Me A Name’ that I’m proud of too. I love it all really…”

    In this respect, If… exists as a living, breathing record in its entirety. The quest for singles is a futile one. Where the record truly captures the listener’s ears is in its effortless ambiguity. And so we finish where we began…

    With his first solo composition unleashed, thoughts now turn to his next two projects. And what better way to counteract the naturalism of If… than with a soundtrack for a psychological revenge thriller entitled ‘Piggy’? As for “the other one”, Ryder-Jones remains tight-lipped. But rest assured “both read brilliantly and I’m really, really excited.”

    IMDb

    Read moreless

    Coby Sey

    Posted on 04 May 2021

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, meld...

    Coby Sey is an artist, multi-instrumentalist musician and DJ from Lewisham, London. Coby Sey’s distinguished presence in London has elicited a bold impression of his compositions and performances, to much the attention of acclaimed artists and collaborators Tirzah, Mica Levi, Kwes, Kelly Lee Owens and Cosha.

    Sey’s music is reflective of his vast spectrum of influences, yet he remains undeniably uniquely himself; experimenting with live instrumentation and electronic-based productions, melding sounds and space with introspective lyrics. Sey’s open-door approach to sharing and making music stretches to his work with London Contemporary Orchestra – with CURL the collective he founded with Mica Levi and Brother May – and a regular slot on NTS Radio which offers a portal into his appealingly murky musical world.

    Read moreless

    Electric Youth

    Posted on 28 November 2023

    After Electric Youth first made a splash in 2011 with their contribution to the Drive soundtrack, “A Real Hero,” the Toronto duo’s widescreen synth pop defined the stylish, slightly retro sound that flourished for the rest of the 2010s. On their 2014 debut album Innerworld, instrumentalist/producer Austin Garrick and singer Bronwyn Griffin defined their breezy yet pulsing take on ’80s sounds as filtered through a soft-focus 21st century lens. Later, they made the most of their flair f...

    After Electric Youth first made a splash in 2011 with their contribution to the Drive soundtrack, “A Real Hero,” the Toronto duo’s widescreen synth pop defined the stylish, slightly retro sound that flourished for the rest of the 2010s. On their 2014 debut album Innerworld, instrumentalist/producer Austin Garrick and singer Bronwyn Griffin defined their breezy yet pulsing take on ’80s sounds as filtered through a soft-focus 21st century lens. Later, they made the most of their flair for the cinematic with 2017’s largely instrumental Breathing (which was originally conceived as a soundtrack) and showcased the breadth and depth of their music with the ambitious pop of 2019’s Memory Emotion.

    Garrick and Griffin met while in sixth grade, began dating a couple years later, and officially started the band in 2009. After recording a few demos, including a cover of Clio’s Italo-disco classic “Faces,” they caught the ear of the similarly ’80s-focused Valerie Collective and met up with like-minded artists such as College, Anoraak, and others. Around this same time, they self-released their first single, “Replay,” and started performing shows around town. They also began working with College in earnest, providing vocals for the song “She Never Came Back” on the 2009 album Secret Diary. ’80s-focused artist Grum also came calling and Griffin provided vocals for a track (“Turn It Up”) on his 2010 album Heartbeats. The next year saw their big break with “A Real Hero,” another College collaboration that was featured in Nicolas Winding Refn’s 2011 film Drive. Partly inspired by the 2009 crash landing of Flight 1549 and the heroic actions of pilot Chesley Sullenberger, the song earned critical acclaim and helped define the dreamy synth pop sound associated with Refn’s aesthetic. The duo’s second single, “Right Back to You,” arrived soon after and was followed by the 2012 track “The Best Thing.”

    To make their debut album, Electric Youth recorded in their Toronto studio and in an L.A. studio that came complete with a screening room, which allowed Griffin and Garrick to let their cinematic obsession bleed into the music. While they worked with co-producers Vince Clarke and Peter Mayes, the duo also made time to appear on Sally Shapiro‘s 2013 album Somewhere Else. After signing to Secretly Canadian, they released the single “Innocence,” the first taste of September 2014’s Innerworld. Featuring “A Real Hero” and “The Best Thing” along with previously unreleased tracks, the album was widely acclaimed. Following Innerworld’s release, Electric Youth reunited with Refn, lending the song “Good Blood” to the soundtrack of his 2016 film The Neon Demon. Garrick and Griffin also collaborated with director Anthony Scott Burns, composing music for his film Breathing; however, the movie was changed so much during post-production that both Burns and the duo left the project. Griffin and Garrick then released the Breathing score on Milan Records as part of the Nicolas Winding Refn Presents series of albums in September 2017. In 2019, Electric Youth worked with Gesaffelstein on his album Hyperion and contributed to Ryuichi Sakamoto‘s remix album async: Remodels before delivering their second album, Memory Emotion. Recorded in their Toronto home with vintage synths and samplers, the album was released by Last Gang Records in August 2019.

    Read moreless

    Haiku Salut

    Posted on 30 November 2021

    Haiku Salut are an instrumental dream-pop-post-folk-neo-everything trio from the Derbyshire Dales. The group consists of multi-instrumentalists Gemma Barkerwood, Sophie Barkerwood, and Louise Croft. Between them, Haiku Salut play accordion, piano, glockenspiel, trumpet, guitar, ukulele, drums, and melodica. Their music also features electronic elements, which they refer to as “loopery and laptopery”.

    Hinako Omori

    Posted on 01 February 2023

    Hinako Omori is a Japanese composer, musician and producer based in London. Her music offers immersive sonic architectures and environments in which to process and access emotional states through binaural recording or multi-channel installation, across ambient synthesizer and vocal music, classical arrangement and composition. Hers is music with spirit and awareness; it unfurls in the mind’s eye, inviting the listener to turn inwards. Likening her process to painting or weaving, she layers,...

    Hinako Omori is a Japanese composer, musician and producer based in London. Her music offers immersive sonic architectures and environments in which to process and access emotional states through binaural recording or multi-channel installation, across ambient synthesizer and vocal music, classical arrangement and composition. Hers is music with spirit and awareness; it unfurls in the mind’s eye, inviting the listener to turn inwards. Likening her process to painting or weaving, she layers, melds and merges textures and sound sources to quilt her uniquely enveloping compositions.  

    Omori’s palette is rooted in analogue synths (often the Prophet 8, OB6 or Moog Matriarch) alongside processed voice and field recording. Her first album “a journey…” (Houndstooth, 2022) combined therapeutic frequencies, forest bathing, and binaural sound – a meditative cartography of the mind in ambient electronics that explored the physical and psychological effects of sound in therapy, brain entrainment and frequencies that can affect our brainstates. Her second, “stillness, softness…” (Houndstooth, 2023) mapped an emotional landscape, where the nuanced response of her synthesizers became a portal to the subconscious.

    Omori’s lush textures and many-layered approach to composition have garnered her critical acclaim and radio play across BBC 6 Music, BBC Radio 1, 3 & 4, KEXP and NTS. “a journey…” was called “remarkable” by Pitchfork and “blissfully restorative” by Loud and Quiet, and “stillness, softness…” was credited as a “deeply enchanting patchwork” by Electronic Sound magazine. She has been covered in features and reviews in Pitchfork, The Guardian, Rolling Stone, Crack Magazine, Clash Magazine, Sound On Sound, Composer Magazine, The Vinyl Factory and elsewhere.

    Previous to her first full length, she also released a string of singles and EPs, including the transportive 12″ single Voyage (2019), which was shortly followed by EP Auraelia (2019), inspired by a period in which she experienced intense migraines that were accompanied by auras and other visual distortions. Remix releases include contributions by Claire Rousay, Coby Sey, Patricia Wolf, Foodman and Akiko Haruna. 

    Born in Yokohama, Japan, Omori moved to the UK when she was three years old and now resides in East London. She began her musical path learning classical piano, later obtaining a degree in  Music and Sound Recording (Tonmeister) at the University of Surrey, where she fell in love with analogue electronics.

    As a versatile pianist, synthesist and producer, Omori is involved in multiple collaborations at any one time. She performed with a 60-piece orchestra for BBC Radio 3’s Unclassified Live, and in 2024 joined Floating Points’ ensemble at the Hollywood Bowl in Los Angeles to perform Promises, his collaborative album with the late Pharoah Sanders. Omori is also a member of Will Gregory’s Moog Ensemble, performing composed material and repertoire from electronic music icons such as Wendy Carlos and John Carpenter, alongside the music of classical composers arranged for synthesizers.

    As a composer and arranger she has worked on various projects, including an original score for Serpentine Gallery’s Intimacies podcast and orchestral commissions for the BBC. In 2022 she collaborated with American artist Cécile B. Evans on sound design for their multimedia installation work Notations for an Adaption of Giselle (welcome to whatever forever), 2020, exhibited at the Centre Pompidou and online via Frieze. Omori has also scored film and moving image work, including short animation Organima, which captured the real time creation of galls on a maple leaf, and Invisible Monsters & Tomato Soup, which visualised the dreams of people during the pandemic (premiered on The New Yorker). She also collaborated with poet and musician Keaton Henson on his 2024 album “Somnambulant Cycles”.

    Omori has toured extensively as a solo artist, performing in venues such as Southbank Centre, The National Gallery, St Paul’s Cathedral, ICA, Kings Place, Volksbühne, Bishopsgate Institute, at festivals including Le Guess Who, ADE, Pitchfork (London), SXSW (Houndstooth / MUTEK) and Hans-Joachim Roedelius’ More Ohr Less Festival, and DJ sets at Tate Modern and POLA Museum. She has supported Ichiko Aoba, L’Rain, Anna Meredith, Beth Orton, Erland Cooper and Holy Other.

    She has also toured internationally and collaborated in the studio with artists including Utada Hikaru, Kae Tempest, Shabaka, Ed O’Brien (EOB), Georgia, Grian Chatten and Sophie Hunger.

    Read moreless

    Ian Chang

    Posted on 20 May 2020

    Bringing electronic music to the physical realm, genre-bending drummer Ian Chang is an acclaimed drumming virtuoso known for his work in Son Lux and Landlady, Chang uses his kit to control and manipulate samples resulting in a seamless synthesis of raw performative intensity and sophisticated sound design.

    Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for 10 years, he built an impressive roster of progressive pop collaborators such as Moses...

    Bringing electronic music to the physical realm, genre-bending drummer Ian Chang is an acclaimed drumming virtuoso known for his work in Son Lux and Landlady, Chang uses his kit to control and manipulate samples resulting in a seamless synthesis of raw performative intensity and sophisticated sound design.

    Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for 10 years, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Police Woman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Now relocated to Dallas, Texas, Chang’s discovered an inquisitive confidence that can only come from newfound isolation. Between tours, he dedicated himself to developing his international musical language, facilitated by a home studio and a burgeoning relationship.

    IMDb

    Read moreless

    Joe Wong

    Posted on 20 May 2020

    Los Angeles based multi-instrumentalist, podcast host (The Trap Set) and composer Joe Wong (“Master of None”, “Russian Doll”, “The Midnight Gospel”, “Ugly Delicious”, “Awkwafina is Nora From Queens” is newly signed to Decca Records for his debut solo record, Nite Creatures. Nite Creatures is a collection of 10 baroque, ruminative, songs that evoke the psychedelic heyday of the legendary UK-based Decca label, living in the pops and crackles between the Summer of Love and th...

    Los Angeles based multi-instrumentalist, podcast host (The Trap Set) and composer Joe Wong (“Master of None”, “Russian Doll”, “The Midnight Gospel”, “Ugly Delicious”, “Awkwafina is Nora From Queens” is newly signed to Decca Records for his debut solo record, Nite Creatures. Nite Creatures is a collection of 10 baroque, ruminative, songs that evoke the psychedelic heyday of the legendary UK-based Decca label, living in the pops and crackles between the Summer of Love and the start of the Seventies – the acid-tinged era of Scott Walker, Marianne Faithfull, Love, the Zombies and Fairport Convention.

    COMPOSER CREDITS

    Read moreless

    Julia Holter

    Posted on 20 May 2020

    The common thread running through the Julia Holter discography is
    her fearless individuality. The Los Angeles-based composer has amassed a body
    of work that explores song structure, atmosphere, minimalism and the authority
    of her voice.

    The double album Aviary is epic in scale, moving through the chamber
    pieces with which she has made her reputation to moments of drama and
    orchestration on an epic scale.

     

    IMDb

    Luke Abbott

    Posted on 20 May 2020

    The success of his 2010 debut album Holkham Drones was something of a dream induction into the world of professional music-making for Luke Abbott. The “game changing electronic opus” stood out as “far and away one of Drowned in Sound‘s favourite records of 2010” and landed in Mojo‘s ‘Electronica Albums of 2010’ list, amongst wide-spread critical acclaim. It wasn’t just about 2010 though; far beyond its initial release Holkham Drones has continued to win over convert upon con...

    The success of his 2010 debut album Holkham Drones was something of a dream induction into the world of professional music-making for Luke Abbott. The “game changing electronic opus” stood out as “far and away one of Drowned in Sound‘s favourite records of 2010” and landed in Mojo‘s ‘Electronica Albums of 2010’ list, amongst wide-spread critical acclaim. It wasn’t just about 2010 though; far beyond its initial release Holkham Drones has continued to win over convert upon convert. Its joyous arpeggios and rolling primal rhythms seduced wherever they were heard, spawning a string of EPs (Object is Navigator and Modern Driveway for Gold Panda‘s label NOTOWN) and sustaining an accompanying live touring schedule that has kept Luke and his handcrafted hardware-jams rumbling across the clubs, gigs and festivals of Europe throughout the intervening years. Four years on, his second full length album Wysing Forest (due out 23 June 2014 via Border Community) is named after the Wysing Arts Centre in Cambridgeshire where, over a six week period in 2012 as their first ever musician-in-residence, Luke recorded what would later become the album.

    IMDb

    Read moreless

    Mike Lindsay

    Posted on 05 June 2020

    Mercury Music Prize winning producer, Mike Lindsay is best known for being the co-founder, composer and producer of UK experimental folk band Tunng and one half of the band LUMP with Laura Marling. Mike has co-written and produced many albums for Speech Debelle, Jon Hopkins, Gotan Project, Farao, DuBlonde, Low Roar, Jae Tyler, Beth Jeans Houghton, Serafina Steer, Hannah Peel, Cibelle and Laura J Martin.

    IMDb

    Nathan Micay

    Posted on 20 May 2020

    In Spring 2019, Toronto-born, Berlin-based DJ and producer Nathan Micay (formerly Bwana) will release his highly anticipated debut album, ‘Blue Spring’, via LuckyMe. The impeccable craft found in the huge past anthems that fuelled his rise is still present, but Micay has upped his own ante; a prodigious and natural creator, this is his best work yet. Highly melodic with complex but spacious sound design, this inspired work is a technicolour ride across sub bass, celestial future breakbeat,...

    In Spring 2019, Toronto-born, Berlin-based DJ and producer Nathan Micay (formerly Bwana) will release his highly anticipated debut album, ‘Blue Spring’, via LuckyMe. The impeccable craft found in the huge past anthems that fuelled his rise is still present, but Micay has upped his own ante; a prodigious and natural creator, this is his best work yet. Highly melodic with complex but spacious sound design, this inspired work is a technicolour ride across sub bass, celestial future breakbeat, drum-roll-fuelled dancefloor rollercoasters, soaring euphoria, otherworldly soundscapes, weightless sino and even a bit of ¾ time. Micay has found a sweet-spot between prog, trance, techno, hardcore, jungle, IDM and ambient, in a renewed twist on the magic mix that birthed Future Sound of London’s hybrid classic ‘Accelerator’. Blue Spring explores the connections and cycles of youth and music, in times of fast change and upheaval. It takes the Castlemorton clash between ravers and authorities as its starting point, and transposes it to an imaginary world. To create the album artwork, Nathan wrote a script outline to be adapted by Peter Marsden into a comic, in turn illustrated by Dominic Flannigan. The comic sees a young data miner rebel by attending a rave in the woods with her friends, only for the event to be broken up by the ranks of a futuristic police state. ‘Blue Spring’ is the start of the revolution.

    IMDb

    Read moreless

    Oly Ralfe (Ralfe Band)

    Posted on 20 May 2020

    Ralfe Band is formed by Oly Ralfe and a number of other collaborators, known for infectious folk influenced songs, vivid surreal lyrics and classical and gypsy inspired instrumentals. In 2023, Ralfe Band return with their fourth studio album Achilles Was a Hound Dog, it is a masterclass of songcraft, drawing on experiences from band leader Oly Ralfe’s recent past. “For me, these songs are almost like an abstract diary where reality, memories and dreamlike narratives collide.”

    The las...

    Ralfe Band is formed by Oly Ralfe and a number of other collaborators, known for infectious folk influenced songs, vivid surreal lyrics and classical and gypsy inspired instrumentals. In 2023, Ralfe Band return with their fourth studio album Achilles Was a Hound Dog, it is a masterclass of songcraft, drawing on experiences from band leader Oly Ralfe’s recent past. “For me, these songs are almost like an abstract diary where reality, memories and dreamlike narratives collide.”

    The last few years have seen Oly Ralfe branch out musically, with his acclaimed solo instrumental record Notes From Another Sea from 2018, a collection of plaintive and intimate piano compositions, as well as the Live at St Pancras Old Church album from 2020, featuring Ralfe’s solo piano with classical ensemble. While Oxford-based Ralfe has never stopped writing or creating, it’s now been ten years since Ralfe Band’s last long player, Son Be Wise from 2013, punctuated by the rowdy one-off single, ‘Sweating It Out’, from 2019. “Because of life events it’s taken far longer than I would have hoped,” says Oly, enigmatically.

    Ralfe Band created the soundtrack for the feature film Bunny and the Bull directed by Paul King (dir.Paddington, The Mighty Boosh). The soundtrack album to Bunny and the Bull was released in 2010. The album was well received and scored an 8/10 NME review, “The 22 tracks here recall the deft melancholy of the Amelie soundtrack… The kind of regally drunk spirit last heard on David Dundas’ equally fine Withnail & I soundtrack. Score!”

    IMDb

    Read moreless

    Rosie Turton

    Posted on 31 August 2023

    Cited by The Guardian as ‘One To Watch’ and nominated for Jazz FM’s ‘Breakthrough Act of the Year’, trombonist, composer and producer Rosie Turton continues her rise since releasing her debut ‘Rosie’s 5ive’, with Jazz Re:freshed. Rosie’s music tells the tales of meditative soundscapes and improvisations, blurring the lines between the acoustic and electronic universes. 2021 saw the release of her latest EP ‘Expansions and Transformations: Part I & II’, exploring th...

    Cited by The Guardian as ‘One To Watch’ and nominated for Jazz FM’s ‘Breakthrough Act of the Year’, trombonist, composer and producer Rosie Turton continues her rise since releasing her debut ‘Rosie’s 5ive’, with Jazz Re:freshed. Rosie’s music tells the tales of meditative soundscapes and improvisations, blurring the lines between the acoustic and electronic universes. 2021 saw the release of her latest EP ‘Expansions and Transformations: Part I & II’, exploring themes of impermanence,  showcasing Rosie’s growing voice as a producer and was championed on the radio by Gilles Peterson, Jamie Cullum, Iggy Pop & WWFM amongst others. Rosie’s musicality is unbound by genre: from collaborations with collective Nérija to performing and recording with Nu Civilisation Orchestra, Camilla George, Soweto Kinch, Jitwam, Nwando Ebizie, and Dan Samsa. 

    Read moreless

    Ryan Lott

    Posted on 29 October 2020

    Ryan Lott is a composer, producer, and performer. In 2007, Ryan founded Son Lux and in 2014, Son Lux became a trio, both live and on record, with the additions of guitarist-composer Rafiq Bhatia and drummer Ian Chang. Their latest studio release is an album trilogy called Tomorrows, released in full in 2021. As a band, Son Lux scored the 2023 Best Picture Winner Everything Everywhere All at Once, which earned them a BAFTA and Academy Award nomination, with a second Academy Award nomination fo...

    Ryan Lott is a composer, producer, and performer. In 2007, Ryan founded Son Lux and in 2014, Son Lux became a trio, both live and on record, with the additions of guitarist-composer Rafiq Bhatia and drummer Ian Chang. Their latest studio release is an album trilogy called Tomorrows, released in full in 2021. As a band, Son Lux scored the 2023 Best Picture Winner Everything Everywhere All at Once, which earned them a BAFTA and Academy Award nomination, with a second Academy Award nomination for their end-credit song collaboration with Mitski and David Byrne.

    An avid collaborator in dance, Lott has worked with choreographers Stephen Petronio, Gina Gibney, Kyle Abraham, and Jodie Gates, along with companies The Royal Ballet, Ballet de Lorraine, National Dance Company of Wales, and BalletX. His feature film scores include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017), and arrangements for several others, most notably the iconic sci-fi film Looper (2012), for which Ryan was also pianist and instrument designer.

    He is frequently commissioned by new music ensembles, including eighth blackbird (Lott contributed to their GRAMMY-winning 2015 release Filament), GRAMMY winners Third Coast Percussion, and yMusic, who enlisted Lott to compose their entire 2017 release First. Other commissions include an arrangement of “Peace Like A River” for Paul Simon, and a new orchestral work, “The Swift & the Storm,” for the Royal Concertgebouw Orchestra.

    IMDb

    Read moreless

    Stereolab

    Posted on 20 May 2020

    After forming in 1990, Tim Gane, Laetitia Sadier, Simon Johns, Joseph Watson and Julien Gasc dedicated their time to creating alternative rock music, often likened to such artists as The Velvet Underground, Sonic Youth and My Bloody Valentine. Being signed to Duophonic/Elektra for nearly the whole of their active years, Stereolab released 10 studio albums, the latest being released after their disbanding in 2010, going by the name ‘Not Music’ and consisting of previously unreleased materi...

    After forming in 1990, Tim Gane, Laetitia Sadier, Simon Johns, Joseph Watson and Julien Gasc dedicated their time to creating alternative rock music, often likened to such artists as The Velvet Underground, Sonic Youth and My Bloody Valentine. Being signed to Duophonic/Elektra for nearly the whole of their active years, Stereolab released 10 studio albums, the latest being released after their disbanding in 2010, going by the name ‘Not Music’ and consisting of previously unreleased material. In 2009 Stereolab announced that they would be going on a period of ‘indefinite hiatus’.

    Read moreless

    Steve Mason

    Posted on 20 May 2020

    Once a founding member of The Beta Band, Steve Mason is now best
    known as an artist with a rare melodic gift and an urge to experiment. From his
    debut solo album, the elegantly melancholy Boys Outside, to his latest release About
    The Light, Mason has never taken a step back, continually investigating where
    the boundaries between the craft of song writing, technology and free
    expression meet.

    Sydney Minsky Sargeant

    Posted on 06 December 2023

    Sydney Minsky Sargeant is a Yorkshire based singer-songwriter, composer and producer, also the mind behind the band – Working Men’s Club.

    Thomas Bartlett

    Posted on 20 May 2020

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny...

    Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, producer, and singer, known for his work with Yoko Ono, St. Vincent, The National, Rhye, Norah Jones, and many others. He produced Sufjan Stevens’ Carrie & Lowell, and three songs for the film Call Me by Your Name including “Mystery of Love” (nominated for the Academy Award for Best Original Song in 2018); and for the final season of Game of Thrones he produced Florence + the Machine’s “Jenny of Oldstones”. He has released four solo albums as Doveman, four albums as a member of the acclaimed Irish band The Gloaming, and duo albums with the composer Nico Muhly and the hardanger d’amore player Caoimhín Ó Raghallaigh.

    Bartlett, who was born and raised in Putney, Vermont, studied piano as a teenager in London with the legendary teacher Maria Curcio, and has lived in New York City since 2000.

    IMDb

    Read moreless

    About this blog

    This blog is designed to assist in navigating our sea of artists for media music searches across the Domino roster. If you have any comments or queries please contact us.

    Rights Explained

    Domino All-in

    Domino controls a share of both the recording and publishing rights

    Domino Publishing

    Domino only control the publishing rights

    Domino Recordings

    Domino only control the recording rights
    Spotify Twitter Instagram Client Login Privacy Policy Contact Us

    Cookies

    By continuing to browse this site you agree to our privacy policy, and the use of cookies as described in this notice.

    Accept