With Optic Sink, Natalie Hoffmann (NOTS) creates a musical paradox: an endeavor that doesn’t really seem to belong to any particular time or place, constructed with sounds that are synthesized and stripped-down, yet bristling with urgency and brutalist emotion.

Written over a two-year period, the eight songs that comprise Optic Sink S/T sound like they should’ve been recorded in a bathysphere or on a space station—instead, they were captured via analog tape at Andrew McCalla’s Bunker...

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Optic Sink news

Optic Sink out 2nd October 2020